To Laura In Death. Sonnet XIII.

Quante fiate al mio dolce ricetto.

HER FORM STILL HAUNTS HIM IN SOLITUDE.


    How oft, all lonely, to my sweet retreat
From man and from myself I strive to fly,
Bathing with dewy eyes each much-loved seat,
And swelling every blossom with a sigh!
How oft, deep musing on my woes complete,
Along the dark and silent glens I lie,
In thought again that dearest form to meet
By death possess'd, and therefore wish to die!
How oft I see her rising from the tide
Of Sorga, like some goddess of the flood;
Or pensive wander by the river's side;
Or tread the flowery mazes of the wood;
Bright as in life; while angel pity throws
O'er her fair face the impress of my woes.

MERIVALE.

Francesco Petrarca

Francesco Petrarca, commonly known as Petrarch, was an Italian scholar, poet, and early humanist during the Renaissance. He is often called the "Father of Humanism" and is best known for his Italian poetry, notably the Canzoniere, a collection of poems addressed to his idealized beloved Laura. Petrarch's works have influenced countless writers and helped shape the modern Italian language.

Francesco Petrarca

To Laura In Death. Sonnet XXXV.

Francesco Petrarca, Simple Poetry

Canzone V.

Francesco Petrarca, Simple Poetry

Sonnet CXCIII.

Francesco Petrarca, Simple Poetry

The Triumph Of Chastity.

Francesco Petrarca, Simple Poetry

English

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To Laura In Death. Sonnet LI.

I dì miei più leggier che nessun cervo.

HIS PASSION FINDS ITS ONLY CONSOLATION IN CONTEMPLATING HER IN HEAVEN.


    My days more swiftly than the forest hind
Have fled like shadows, and no pleasure seen
Save for a moment, and few hours serene,
Whose bitter-sweet I treasure in true mind.
O wretched world, unstable, wayward! Blind
Whose hopes in thee alone have centred been;
In thee my heart was captived by her mien
Who bore it with her when she earth rejoin'd:
Her better spirit, now a deathless flower,
And in the highest heaven that still shall be,
Each day inflames me with its beauties more.
Alone, though frailer, fonder every hour,
I muse on her--Now what, and where is she,
And what the lovely veil which here she wore?

MACGREGOR....

Francesco Petrarca

To Laura In Death. Sonnet XX.

I' ho pien di sospir quest' aer tutto.

VAUCLUSE HAS BECOME TO HIM A SCENE OF PAIN.


    To every sound, save sighs, this air is mute,
When from rude rocks, I view the smiling land
Where she was born, who held my life in hand
From its first bud till blossoms turn'd to fruit:
To heaven she's gone, and I'm left destitute
To mourn her loss, and cast around in pain
These wearied eyes, which, seeking her in vain
Where'er they turn, o'erflow with grief acute;
There's not a root or stone amongst these hills,
Nor branch nor verdant leaf 'midst these soft glades,
Nor in the valley flowery herbage grows,
Nor liquid drop the sparkling fount distils,
Nor savage beast that shelters in these shades,
But knows how sharp my grief--how deep my woes.

Francesco Petrarca

To Laura In Death. Sonnet LII.

Sente l' aura mia antica, e i dolci colli.

HE REVISITS VAUCLUSE.


    I feel the well-known gale; the hills I spy
So pleasant, whence my fair her being drew,
Which made these eyes, while Heaven was willing, shew
Wishful, and gay; now sad, and never dry.
O feeble hopes! O thoughts of vanity!
Wither'd the grass, the rills of turbid hue;
And void and cheerless is that dwelling too,
In which I live, in which I wish'd to die;
Hoping its mistress might at length afford
Some respite to my woes by plaintive sighs,
And sorrows pour'd from her once-burning eyes.
I've served a cruel and ungrateful lord:
While lived my beauteous flame, my heart be fired;
And o'er its ashes now I weep expired.

NOTT.


    Once more, ye balmy gal...

Francesco Petrarca

To Laura In Death. Sonnet XVIII.

Se quell' aura soave de' sospiri.

SHE RETURNS IN PITY TO COMFORT HIM WITH HER ADVICE.


    If that soft breath of sighs, which, from above,
I hear of her so long my lady here,
Who, now in heaven, yet seems, as of our sphere,
To breathe, and move, to feel, and live, and love,
I could but paint, my passionate verse should move
Warmest desires; so jealous, yet so dear
O'er me she bends and breathes, without a fear,
That on the way I tire, or turn, or rove.
She points the path on high: and I who know
Her chaste anxiety and earnest prayer,
In whispers sweet, affectionate, and low,
Train, at her will, my acts and wishes there:
And find such sweetness in her words alone
As with their power should melt the hardest stone.

MACGREGOR.

Francesco Petrarca

To Laura In Death. Sonnet XL.

Quella per cui con Sorga ho cangiat' Arno.

HE ATTEMPTS TO PAINT HER BEAUTIES, BUT NOT HER VIRTUES.


    She, for whose sake fair Arno I resign,
And for free poverty court-affluence spurn,
Has known to sour the precious sweets to turn
On which I lived, for which I burn and pine.
Though since, the vain attempt has oft been mine
That future ages from my song should learn
Her heavenly beauties, and like me should burn,
My poor verse fails her sweet face to define.
The gifts, though all her own, which others share,
Which were but stars her bright sky scatter'd o'er,
Haply of these to sing e'en I might dare;
But when to the diviner part I soar,
To the dull world a brief and brilliant light,
Courage and wit and art are baffled quite.

MAC...

Francesco Petrarca

To Laura In Death. Sonnet LXXIII.

Fu forse un tempo dolce cosa amore.

HE COMPLAINS OF HIS SUFFERINGS, WHICH ADMIT OF NO RELIEF.


    Love, haply, was erewhile a sweet relief;
I scarce know when; but now it bitter grows
Beyond all else. Who learns from life well knows,
As I have learnt to know from heavy grief;
She, of our age, who was its honour chief,
Who now in heaven with brighter lustre glows,
Has robb'd my being of the sole repose
It knew in life, though that was rare and brief.
Pitiless Death my every good has ta'en!
Not the great bliss of her fair spirit freed
Can aught console the adverse life I lead.
I wept and sang; who now can wake no strain,
But day and night the pent griefs of my soul
From eyes and tongue in tears and verses roll.

MACGREGOR.

Francesco Petrarca