Trout Lake Hotel

    The walls don't lack sincerity, here,
    or be accused of "ordinary,"
    what with the bleached remains
    of a carbon skull, a yellowing pike head
    of uncertain girth, adder-like fangs
    positioned like the Bear Head
    gasping for the night air
    one wall over or
    the old pool table
    that's seen as many games
    as ghosts fly by or drinks downed
    in the penumbra Shooters
    flaming elixir stars,
    a shooting gallery of exotica and potent portions -
    crimson Garter, Pink Panties,
    the men in this lounge live up to that
    with cigarettes bullying the air, chortles,
    one doesn't expect to see southern good ole boys
    in the North Backwoods with no 'gators
    or Biloxi Blues but a gallows to good intentions,
    nonetheless.

Paul Cameron Brown

Paul Cameron Brown is a Canadian poet known for his extensive work in both poetry and art criticism. Born in western Canada, Brown has had a prolific career in writing, often intertwining themes of human experience and nature. His works have been showcased in various literary magazines and anthologies. With a style that is both reflective and evocative, he has gained recognition not only in Canada but also internationally.

Paul Cameron Brown

Pelée: May 8, 1902

Paul Cameron Brown, Simple Poetry

Night Winds

Paul Cameron Brown, Simple Poetry

Flashpoint

Paul Cameron Brown, Simple Poetry

Tales Of Brave Ulysses

Paul Cameron Brown, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Gangland

    A sailor, "tatoo you,"
    the cigarette Players
    with tape-deck playing
    a jaundiced "Yellow Bird",
    Cerveza, Dos Equiis, the
    two horses, in red flame,
    across the label.

    Trolling in a deep sea-trench
    (spinners and chubb),
    the dark night
    a religious procession,
    acolyte stars in hymnal to the wind.

    Across the channel
    a Party Boat
    - the words almost demand capitals
    with actions so diminutive -
    creased laughter "to go" cross the waves
    flicker of lights, siren call
    then a lemon shark strikes the bait
    on anchor reel, Horse-Eyed Jack
    perhaps borrowing the name
    from the Outback -
    think pantomime, enter Wahoo
    and the aesthetic of fear...

Paul Cameron Brown

Offerings (A Movement In Four Parts)

The night is folly without the moon,
trees blank space against a frontal sky
where lattice work from a bled fish reveals
skeletal markings will not administer
the red jack of hearts to a mistress sea.

Most fickle, the ways of a cockroach
(I don't recommend them) to offerings
of white linen, cold squares atop
a stone diamonded floor.

Palaver shacks drone in ghostly light
communicating some message about eel runs
up the black river, the equivalent brush
of tombstones against dark nightsoil.

Tiny bars open as cubicles.
proverbial flashes of the coming evening,
haciendas to count every blessing.

The road to such places
snarls a dusty pleasure
and will heat thin blood
to boil in the daylight hours.

II

Swe...

Paul Cameron Brown

Shivaree

    These kettle bells.
    Is it the axe-murderer,
    with green garbage bag
    in the shadows?

    No. Green trees so thick
    their tops are folded hands
    or knotted knuckles
    to make perilous shrubbery
    by the garden wall.

    Yet this is a state of mind
    and shards of multi-coloured
    glass dot the top of stones.
    Interesting. Should a sociopath put
    out his shingle, come calling,
    a much under-estimated, rude uttering
    would take place.

    Still bees are active in the night air,
    not swarms, but a hum. Pleasant odours waft
    thru stiller air. There is no charged electricity
    to things, no tautness or leathery tightness to
    individual seconds. Still and stricken still.

Paul Cameron Brown

Smokestack

    A small fish,
    its colors
    embers
    amid the swirling water;
    reminiscent of a
    café in darkness -
    the smokestack tablecloth fluttering
    in the matchbox breeze.

Paul Cameron Brown

Swords And Roses

    Some lives have themes.
    Goldfish that stubbornly die;
    compatability only with distant lovers
    - flowers (but no sweet-breads)
    that wilt to the touch.

    Waiting. Charcoal-grey cat
    agreeably on a green linoleum table
    with light basking in....
    a tad playful,
    paws up,
    (classic boxer stance)
    but no one notices.
    Others oblique in their transparency,
    are unmindful of even the empty closet
    and greeting cards that smile hello.

    In the dark
    this room shimmers below
    life-raft status;
    chairs are buoys
    bobbing under waves
    of congealed fright.
    In the morning
    the first pigeons
    rifle over rooftops,
    mad flutterings like your eyes

Paul Cameron Brown

The Jolly Tupper

    Sun on the eiderdown
    breaks tiny corners off the bedspread, declares green plants its bidding
    before summoning Fragonard's maiden
    off her swing - so richly dressed
    in picture from the sunlit wall.

    Expensive tabac from an imported humidor
    etches tiny leaves
    their stems as faces against the glass,
    rich aroma, trèsor, like the Jolly Tupper print
    preparing his bowl,
    drawing on the clay stem
    as if from a height watching ships come in.

    Smoke cold as blue fungus over outside buildings
    follows horses with hooves to split cobblestones
    stuck in the city's eye,
    more than mountains around
    the stone filled ravines
    of the rich man's heart.

Paul Cameron Brown