Rose And Murray

After the movie, when the lights come up,
He takes her powdered hand behind the wings;
She, all in yellow, like a buttercup,
Lifts her white face, yearns up to him, and clings;
And with a silent, gliding step they move
Over the footlights, in familiar glare,
Panther-like in the Tango whirl of love,
He fawning close on her with idiot stare.
Swiftly they cross the stage. O lyric ease!
The drunken music follows the sure feet,
The swaying elbows, intergliding knees,
Moving with slow precision on the beat.
She was a waitress in a restaurant,
He picked her up and taught her how to dance.
She feels his arms, lifts an appealing glance,
But knows he spent last evening with Zudora;
And knows that certain changes are before her.
The brilliant spotlight circles them around,
Flashing the spangles on her weighted dress.
He mimics wooing her, without a sound,
Flatters her with a smoothly smiled caress.
He fears that she will someday queer his act;
Feeling his anger. He will quit her soon.
He nods for faster music. He will contract
Another partner, under another moon.
Meanwhile, smooth stuff. He lets his dry eyes flit
Over the yellow faces there below;
Maybe hell cut down on his drinks a bit,
Not to annoy her, and spoil the show. . .
Zudora, waiting for her turn to come,
Watches them from the wings and fatly leers
At the girls younger face, so white and dumb,
And the fixed, anguished eyes, ready for tears.
She lies beside him, with a false wedding-ring,
In a cheap room, with moonlight on the floor;
The moonlit curtains remind her much of spring,
Of a spring evening on the Coney shore.
And while he sleeps, knowing she ought to hate,
She still clings to the lover that she knew,
The one that, with a pencil on a plate,
Drew a heart and wrote, Id die for you.

Conrad Aiken

Conrad Aiken was an American poet, born on August 5, 1889. He was an influential figure in 20th-century American literature, known for his lyrical and psychological depth. Aiken's work often explored themes of identity, time, and the psychoanalytic. He also served as the Consultant in Poetry to the Library of Congress, a position now known as the U.S. Poet Laureate. He passed away on August 17, 1973.

Conrad Aiken

Senlin, A Biography: Part 02: His Futile Preoccupations - 05

Conrad Aiken, Simple Poetry

The House Of Dust: Part 04: 04: Counterpoint: Two Rooms

Conrad Aiken, Simple Poetry

Senlin, A Biography: Part 01: His Dark Origins - 07

Conrad Aiken, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Zudora

Here on the pale beach, in the darkness;
With the full moon just to rise;
They sit alone, and look over the sea,
Or into each others eyes. . .
She pokes her parasol into the sleepy sand,
Or sifts the lazy whiteness through her hand.
A lovely night, he says, the moon,
Comes up for you and me.
Just like a blind old spotlight there,
Fizzing across the sea!
She pays no heed, nor even turns her head:
He slides his arm around her waist instead.
Why dont we do a sketch together,
Those songs you sing are swell.
Where did you get them, anyway?
They suit you awfully well.
She will not turn to him, will not resist.
Impassive, she submits to being kissed.
My husband wrote all four of them.
You know, my husband drowned.
He was always sickly, so...

Conrad Aiken

The House Of Dust: Part 02: 07: Two Lovers: Overtones

Two lovers, here at the corner, by the steeple,
Two lovers blow together like music blowing:
And the crowd dissolves about them like a sea.
Recurring waves of sound break vaguely about them,
They drift from wall to wall, from tree to tree.
Well, am I late? Upward they look and laugh,
They look at the great clocks golden hands,
They laugh and talk, not knowing what they say:
Only, their words like music seem to play;
And seeming to walk, they tread strange sarabands.

I brought you this . . .  the soft words float like stars
Down the smooth heaven of her memory.
She stands again by a garden wall,
The peach tree is in bloom, pink blossoms fall,
Water sings from an opened tap, the bees
Glisten and murmur among the trees.
Someone calls from the house. Sh...

Conrad Aiken

The House Of Dust: Part 01: 06: Over The Darkened City, The City Of Towers

Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the citys feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.

Rain wi...

Conrad Aiken

The House Of Dust: Part 04: 06: Cinema

As evening falls,
The walls grow luminous and warm, the walls
Tremble and glow with the lives within them moving,
Moving like music, secret and rich and warm.
How shall we live to-night, where shall we turn?
To what new light or darkness yearn?
A thousand winding stairs lead down before us;
And one by one in myriads we descend
By lamplit flowered walls, long balustrades,
Through half-lit halls which reach no end. . . .

Take my arm, then, you or you or you,
And let us walk abroad on the solid air:
Look how the organists head, in silhouette,
Leans to the lamplit musics orange square! . . .
The dim-globed lamps illumine rows of faces,
Rows of hands and arms and hungry eyes,
They have hurried down from a myriad secret places,
From windy chambers next ...

Conrad Aiken

Violet Moore And Bert Moore

He thinks her little feet should pass
Where dandelions star thickly grass;
Her hands should lift in sunlit air
Sea-wind should tangle up her hair.
Green leaves, he says, have never heard
A sweeter ragtime mockingbird,
Nor has the moon-man ever seen,
Or man in the spotlight, leering green,
Such a beguiling, smiling queen.
Her eyes, he says, are stars at dusk,
Her mouth as sweet as red-rose musk;
And when she dances his young heart swells
With flutes and viols and silver bells;
His brain is dizzy, his senses swim,
When she slants her ragtime eyes at him. . .
Moonlight shadows, he bids her see,
Move no more silently than she.
It was this way, he says, she came,
Into his cold heart, bearing flame.
And now that his heart is all on fire
Will she ...

Conrad Aiken

The Cornet

When she came out, that white little Russian dancer,
With her bright hair, and her eyes, so young, so young,
He suddenly lost his leader, and all the players,
And only heard an immortal music sung,
Of dryads flashing in the green woods of April,
On cobwebs trembing over the deep, wet grass:
Fleeing their shadows with laughter, with hands uplifted,
Through the whirled sinister sun he saw them pass,
Lovely immortals gone, yet existing somewhere,
Still somewhere laughing in woods of immortal green,
Young he had lived among fires, or dreamed of living,
Lovers in youth once seen, or dreamed he had seen. . .
And watched her knees flash up, and her young hands beckon,
And the hair that streamed behind, and the taunting eyes.
He felt this place dissolving in living darkness,

Conrad Aiken