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Paul Cameron Brown

Paul Cameron Brown is a Canadian poet known for his extensive work in both poetry and art criticism. Born in western Canada, Brown has had a prolific career in writing, often intertwining themes of human experience and nature. His works have been showcased in various literary magazines and anthologies. With a style that is both reflective and evocative, he has gained recognition not only in Canada but also internationally.

English

Paul Cameron Brown

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Silver Coins

    Seen the whores in doorsteps,
slack, crouched as packing crates
behind their quiet wardrobe lamps,
inset like a skeleton's crown
there to bend our will,
provide passageways to power and suggestion;
the winding entrance to rouged
light flickering with powdered flesh
yellow of gold,
then black to ivory
a frightful circus in a palace of turn
within the grate of execution.

Paul Cameron Brown

Six Owlets

    Six owlets sitting in a tree,
six cats in effigy,
six of both in a boat
the leeward lives in Innisfree.

Six women marching
through a park,
six lanterns at rest
six cauldrons to
six walking abreast.

In the still of the morning
I'd hazard a guess
there's a little less.

Paul Cameron Brown

Sixties Hangover

    "We have all been here before.
almost cut my hair;"
the refrain from Crosby, Stills. Nash & Young
reading more like a law firm letterhead than
any invocation for real social change.
Respectability, that first casualty of the eighties.
What, exactly, was a true child of the sixties?

Here's a few safe bets:
Valedictorians were few and difficult to find for their "irrelevant,"
high school peers. Are you listening Paul and Paula?
Cutoffs. Hitchhiking to California?
All is beautiful. Laid back. Beads.
The sixties were a jukebox that came of age.
Ponderosa shirts were destined to outlive their owners.
Thirty-three is perilously close to being afraid.
Elvis Presley, a blimp at forty, missed the sixt...

Paul Cameron Brown

Skin

    Her emerald top
phosphorescent candy glow
stick candy,
sno' cane -
floss like
the mane revealed beneath,
spun hair matted/woven into
icicle lengths & pubis mink.

Her presence as a monk sliding
under a cowl, jet-black velvet
or midnight eye-liner shadow
knotting strands of dark.

She comes on waves -
candelabra is a name
deft movement of finger
caressing storm, bare legs
shining wet street lamps
decantered ambered wine.

Cigarette floating between lips,
uncharted voyage of the smile
where puffs of smoke
are parrots' wings,
incandescent show-girls
in novelty across the flame.

Paul Cameron Brown

Skootematta

    Sheldrake, a magician
- the mandrake
a mythic plant whose shriek
drove listeners wild....
this lake, Sheldrake
and its windsong-heartswoon
counterpart, Skootematta
with Shabomeka &
a whiff of Buckshot Lake to boot,
waves lapping the
prayerful stones -
water's edge
the earth's bones....
Lakes an art-form
hardscrabble scribble
shorthand on a blessed land.

The mysticism of basic shadows,
occult shapes of ourselves.

Paul Cameron Brown

Slaughterhouse

    You're the aggressor
and your passion exceeds mine
but we're in this slaughterhouse together
and it's near closing.

Vats of prickly ointment
destined to repattern animal skin
and tubs of steaming formaldehyde
rest casually with the more antiseptic
thrill of green sawdust.

Blood is a chameleon, here, changing colours
en route to sausage and Pram but
my hotdogs and donuts are
holding better to the cuttlefish
in this unnatural forest.

The stars are a jangle of planets
in a world where wood became noise;
each ceiling beam, incidentally,
is the wrenched out spine
of a Longhorn steer,
doorknobs pig knuckles
bound for Octoberfest fear.
Ev...

Paul Cameron Brown

Sleigh Bells

In fury, come the Heavens,
the days, our horsebells
upon a crystal sleigh.
Up slowly until,
the horse carriage wet
and coming up the evening
walk pauses; then snow
before a vanished world.

Paul Cameron Brown

Slipper

    When I was very young
onto school,
a slick of water curled
under a behemoth, silver poplar tree ...
there, white underbacks
of leaves waved in showy pride the
dead underbellies of bass ...
as tall boys,
big with rakish, probing, anthracite eyes,
stooped in the creek
their red, exposed flesh
colour of school brick.

Paul Cameron Brown

Smears

A snowy morning
unfolding
I smear my eyes
the crimson details
from my life.

Paul Cameron Brown

Smokestack

    A small fish,
its colors
embers
amid the swirling water;
reminiscent of a
café in darkness -
the smokestack tablecloth fluttering
in the matchbox breeze.

Paul Cameron Brown

Southwark

I noticed a bust of Shakespeare, an effigy in stone with
latticing to mirror the ages. In the same cathedral a
notation commented John Harvard was baptized here.

Outside, rain fell on tombstones scarcely readable,
their letters frail imitations of what each man
considered important in life.

The church itself breathed renewal. We learn John
Gower, epic poet to the court of Richard II,
worshipped here. I thought of translucence, then muir
and gems the wise men brought the Infant Christ.
Prayer candles glowed and fell into a lap of pyre. The
crypt held Edmund, brother to the Bard.

A handsome altar betrayed sentiments Gray used in
his elegy to another courtyard. My thoughts
continued onto nearby Tower Bridge, steel and energy
dynamos before steps of t...

Paul Cameron Brown

Spanked

    Buying up egg rolls at 50¢ a kick,
they royally entered our bloodstream
- a riot of sensation
akin to dynamite caps
kicked off in the brain.

Later, sitting in the booth
a chocolate brown wall
to aid the digestion;
a frumpy waitress
plunks water down
to complete the feast.

Taken back, the surcharge
at such festivities exorbitant,
we squander in exact change
the full price to do it again.

Paul Cameron Brown

Stillness

    Invitingly, the sea shines her stars,
captive flames within an impatient heart
as darkness loads the pleasent isles with coarseness,
slow sparks rise over a roaring fire.

And strolling beaches near dawn
when the sand fleas & crabs are seen to flee,
one catches upon the imperfect stillness
a song of one - wind with sea
drawning near
inward, such stars turn
as bonds at last
worked free.

Paul Cameron Brown

Stone Guide

    She was fading -
into the stone
into rifled shadows heavy
with fallen light,
rippled boughs
of splitting fruit &
droopy leaves
to a sallow body under clumsy years
that ripped the tunic of her coat
while bleating the dismal age
with each petal fall
of a stockinged foot.

Paul Cameron Brown

Street Scene

    No open barge
crowded with nameless waifs
or junks in a teeming harbour
- just odours spilling from
a back alley,
stair wells littered with cheap saki
bottles, one propped
to rifle the door.

Paul Cameron Brown

Summer's Clock

"And the day is a wounded boy." Garcia Lorca

Two is a fonder number gracing the clock than one - a relief from monogamy, a rightful place to start. Three is too midway, cantankerous in its sound, still four is drab and stony and the sun lies too low in the sky for any truthful expression of real afternoon. Five is somewhat better, the sky is pressuring evening and, by six, is big with shadows that foresee the coming dark.

With seven, ambers and misty wraps are charged in pastel tones celebrating the arrival of eight. At nine, all pretense is dropped that its still daylight and colours lie bludgeoned - extinguished in the dark. Ten through near dawn is blissful and quiet, no confusing escapades of shifting light. Only the hour before dawn promises a summer respite any different than the cue sung at midnight.

Paul Cameron Brown

Sweet Water

    The leaves lie hidden as spades about their home.
Brief movement of a kitten, then silence
till the car's engine drones.
Close by, a pioneer cemetery sits near a secondary wood.

Queer is the effect of sun on a tinted roof;
bluebells with poppies,
cowslip and tiny brook
back of
fields redden and
given to wheat.

A house is a machine
processing the water of living
a replenished cistern,
birds paying a call, a minor animal
brushing past
an ivy-railed fence.

Paul Cameron Brown

Swords And Roses

    Some lives have themes.
Goldfish that stubbornly die;
compatability only with distant lovers
- flowers (but no sweet-breads)
that wilt to the touch.

Waiting. Charcoal-grey cat
agreeably on a green linoleum table
with light basking in....
a tad playful,
paws up,
(classic boxer stance)
but no one notices.
Others oblique in their transparency,
are unmindful of even the empty closet
and greeting cards that smile hello.

In the dark
this room shimmers below
life-raft status;
chairs are buoys
bobbing under waves
of congealed fright.
In the morning
the first pigeons
rifle over rooftops,
mad flutterings like your eyes

Paul Cameron Brown

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