An Ode

The merchant, to secure his treasure,
Conveys it in a borrowed name:
Euphelia serves to grace my measure;
But Chloe is my real Flame.

My softest verse, my darling lyre
Upon Euphelias toilet lay;
When Chloe noted her desire,
That I should sing, that I should play.

My lyre I tune, my voice I raise;
But with my numbers mix my sighs:
And whilst I sing Euphelias praise,
I fix my soul on Chloes eyes.

Fair Chloe blushd: Euphelia frowned:
I sung and gazed:I played and trembled:
And Venus to the Loves around
Remarked, how ill we all dissembled.

Matthew Prior

Matthew Prior was an English poet and diplomat. He is known for his extensive contributions to poetry during the late 17th and early 18th centuries. Prior's works often blend sharp wit, classical allusions, and a mastery of form. Apart from poetry, he was actively involved in politics and served as a diplomat for the English government. His poetry reflects his broad knowledge and varied experiences.

Matthew Prior

Cloe Jealous

Matthew Prior, Simple Poetry

An Ode - In Imitation of Horace, Book III. Ode II.

Matthew Prior, Simple Poetry

Colin's Mistakes. Written In Imitation Of Spenser's Style

Matthew Prior, Simple Poetry

To A Young Lady, Who Was Fond Of Fortune-Telling

Matthew Prior, Simple Poetry

English

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An Ode. The Merchant, To Secure

The merchant, to secure his treasure,
Conveys it in a borrow'd name:
Euphelia serves to grace my measure:
But Cloe is my real flame.

My softest verse, my darling lyre,
Upon Euphelia's toilet lay;
When Cloe noted her desire,
That I should sing, that I should play.

My lyre I tune, my voice I raise,
But with my numbers mix my sighs;
And, whilst I sing Euphelia's praise,
I fix my soul on Cloe's eyes.

Fair Cloe blush'd: Euphelia frown'd:
I sung, and gazed: I play'd, and trembled:
And Venus to the Loves around
Remark'd how ill we all dissembled.

Matthew Prior

The Merchant, To Secure His Treasure

The merchant, to secure his treasure,
Conveys it in a borrowed name:
Euphelia serves to grace my measure,
But Cloe is my real flame.

My softest verse, my darling lyre
Upon Euphelia's toilet lay
When Cloe noted her desire
That I should sing, that I should play.

My lyre I tune, my voice I raise,
But with my numbers mix my sighs;
And whilst I sing Euphelia's praise,
I fix my soul on Cloe's eyes.

Fair Cloe blushed; Euphelia frowned:
I sung, and gazed; I played, and trembled:
And Venus to the Loves around
Remarked how ill we all dissembled.

Matthew Prior

To Chloe Jealous

Dear Chloe, how blubber'd is that pretty face;
Thy cheek all on fire, and thy hair all uncurl'd:
Prythee quit this caprice; and (as old Falstaff says)
Let us e'en talk a little like folks of this world.

How canst thou presume, thou hast leave to destroy
The beauties, which Venus but lent to thy keeping?
Those looks were design'd to inspire love and joy:
More ord'nary eyes may serve people for weeping.

To be vext at a trifle or two that I writ,
Your judgment at once, and my passion you wrong:
You take that for fact, which will scarce be found wit:
Odds life! must one swear to the truth of a song?

What I speak, my fair Chloe, and what I write, shows
The diff'rence there is betwixt nature and art:
I court others in verse; but I love thee in prose:
An...

Matthew Prior

Cantata. Set By Mons. Galliard

Recit.
Beneath a verdant laurel's ample shade
His lyre to mournful numbers strung,
Horace, immortal bard supinely laid,
To Venus thus address'd the song;
Ten thousand little loves around,
Listening dwelt on every sound.

Ariet.
Potent Venus, bid thy son
Sound no more his dire alarms:
Youth on silent wings is flown;
Graver years come rolling on,
Spare my age unfit for arms:
Safe and humble let me rest,
From all amorous care released.
Potent Venus, bid thy son
Sound no more his dire alarms.

Recit.
Yet, Venus, why do I each morn prepare
The fragrant wreath for Cloe's hair?
Why, why do I all day lament and sigh,
Unless the beauteous maid be nigh?
And why all night pursue her in my dreams
Through flowery meads and cryst...

Matthew Prior

Odes From Horace. - [1]To Telephus. Book The Third, Ode The Nineteenth.

The number of the vanish'd years
    That mark each famous Grecian reign,
This night, my Telephus, appears
    Thy solemn pleasure to explain;

Or else assiduously to dwell,
    In conscious eloquence elate,
On those who conquer'd, those who fell
    At sacred Troy's devoted gate.

But at what price the cask, so rare,
    Of luscious chian may be ours,
Who shall the tepid baths prepare,
    And who shall strew the blooming flowers;

Beneath what roof we next salute,
    And when shall smile these gloomy skies,
Thy wondrous eloquence is mute,
    Nor here may graver topics rise. -

Fill a bright bumper, - to the Moon!
    She's new! - auspicious be her birth!
One to the Midnight! - 't is our noon
    Of jocund thought, and fes...

Anna Seward

A Better Answer

Dear Cloe, how blubber'd is that pretty Face?
Thy Cheek all on Fire, and Thy Hair all uncurl'd:
Pr'ythee quit this Caprice; and (as old Falstaf says)
Let Us e'en talk a little like Folks of This World.

How can'st Thou presume, Thou hast leave to destroy
The Beauties, which Venus but lent to Thy keeping?
Those Looks were design'd to inspire Love and Joy:
More ord'nary Eyes may serve People for weeping.

To be vext at a Trifle or two that I writ,
Your Judgment at once, and my Passion You wrong:
You take that for Fact, which will scarce be found Wit:
Odd's Life! must One swear to the Truth of a Song?

What I speak, my fair Cloe, and what I write, shews
The Diff'rence there is betwixt Nature and Art:
I court others in Verse; but I love Thee in Prose:
An...

Matthew Prior