An Ode. The Merchant, To Secure

The merchant, to secure his treasure,
Conveys it in a borrow'd name:
Euphelia serves to grace my measure:
But Cloe is my real flame.

My softest verse, my darling lyre,
Upon Euphelia's toilet lay;
When Cloe noted her desire,
That I should sing, that I should play.

My lyre I tune, my voice I raise,
But with my numbers mix my sighs;
And, whilst I sing Euphelia's praise,
I fix my soul on Cloe's eyes.

Fair Cloe blush'd: Euphelia frown'd:
I sung, and gazed: I play'd, and trembled:
And Venus to the Loves around
Remark'd how ill we all dissembled.

Matthew Prior

Matthew Prior was an English poet and diplomat. He is known for his extensive contributions to poetry during the late 17th and early 18th centuries. Prior's works often blend sharp wit, classical allusions, and a mastery of form. Apart from poetry, he was actively involved in politics and served as a diplomat for the English government. His poetry reflects his broad knowledge and varied experiences.

Matthew Prior

Epitaph - On Himself

Matthew Prior, Simple Poetry

Fair Susan Did Her Wif-Hede Well Menteine - In Chaucer's Style

Matthew Prior, Simple Poetry

A Sailor's Wife

Matthew Prior, Simple Poetry

The Dying Adrian To His Soul

Matthew Prior, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

The Merchant, To Secure His Treasure

The merchant, to secure his treasure,
Conveys it in a borrowed name:
Euphelia serves to grace my measure,
But Cloe is my real flame.

My softest verse, my darling lyre
Upon Euphelia's toilet lay
When Cloe noted her desire
That I should sing, that I should play.

My lyre I tune, my voice I raise,
But with my numbers mix my sighs;
And whilst I sing Euphelia's praise,
I fix my soul on Cloe's eyes.

Fair Cloe blushed; Euphelia frowned:
I sung, and gazed; I played, and trembled:
And Venus to the Loves around
Remarked how ill we all dissembled.

Matthew Prior

An Ode

The merchant, to secure his treasure,
Conveys it in a borrowed name:
Euphelia serves to grace my measure;
But Chloe is my real Flame.

My softest verse, my darling lyre
Upon Euphelias toilet lay;
When Chloe noted her desire,
That I should sing, that I should play.

My lyre I tune, my voice I raise;
But with my numbers mix my sighs:
And whilst I sing Euphelias praise,
I fix my soul on Chloes eyes.

Fair Chloe blushd: Euphelia frowned:
I sung and gazed:I played and trembled:
And Venus to the Loves around
Remarked, how ill we all dissembled.

Matthew Prior

Cloe Jealous

Forbear to ask Me, why I weep;
Vext Cloe to her Shepherd said:
'Tis for my Two poor stragling Sheep
Perhaps, or for my Squirrel dead.
For mind I what You late have writ?
Your subtle Questions, and Replies;
Emblems, to teach a Female Wit
The Ways, where changing Cupid flies.
Your Riddle, purpos'd to rehearse
The general Pow'r that Beauty has:
But why did no peculiar Verse
Describe one Charm of Cloe's Face?
The Glass, which was at Venus' Shrine,
With such Mysterious Sorrow laid:
The Garland (and You call it Mine)
Which show'd how Youth and Beauty fade.
Ten thousand Trifles light as These
Nor can my Rage, nor Anger move:
She shou'd be humble, who wou'd please:
And She must suffer, who can love.
When in My Glass I chanc'd to look;
Of Venus...

Matthew Prior

Cantata. Set By Mons. Galliard

Recit.
Beneath a verdant laurel's ample shade
His lyre to mournful numbers strung,
Horace, immortal bard supinely laid,
To Venus thus address'd the song;
Ten thousand little loves around,
Listening dwelt on every sound.

Ariet.
Potent Venus, bid thy son
Sound no more his dire alarms:
Youth on silent wings is flown;
Graver years come rolling on,
Spare my age unfit for arms:
Safe and humble let me rest,
From all amorous care released.
Potent Venus, bid thy son
Sound no more his dire alarms.

Recit.
Yet, Venus, why do I each morn prepare
The fragrant wreath for Cloe's hair?
Why, why do I all day lament and sigh,
Unless the beauteous maid be nigh?
And why all night pursue her in my dreams
Through flowery meads and cryst...

Matthew Prior

A Better Answer

Dear Cloe, how blubber'd is that pretty Face?
Thy Cheek all on Fire, and Thy Hair all uncurl'd:
Pr'ythee quit this Caprice; and (as old Falstaf says)
Let Us e'en talk a little like Folks of This World.

How can'st Thou presume, Thou hast leave to destroy
The Beauties, which Venus but lent to Thy keeping?
Those Looks were design'd to inspire Love and Joy:
More ord'nary Eyes may serve People for weeping.

To be vext at a Trifle or two that I writ,
Your Judgment at once, and my Passion You wrong:
You take that for Fact, which will scarce be found Wit:
Odd's Life! must One swear to the Truth of a Song?

What I speak, my fair Cloe, and what I write, shews
The Diff'rence there is betwixt Nature and Art:
I court others in Verse; but I love Thee in Prose:
An...

Matthew Prior

Odes From Horace. - To Mæcenas. Book The First, Ode The First.

I.

Mæcenas, from Etrurian Princes sprung,
    For whom my golden lyre I strung,
Friend, Patron, Guardian of its rising song,
    O mark the Youth, that towers along,
    With triumph in his air;
    Proud of Olympic dust, that soils
    His burning cheek and tangled hair!
Mark how he spreads the palm, that crown'd his toils!
    Each look the throbbing hope reveals
    That his fleet steeds and kindling wheels,
Swept round the skilfully-avoided goal,
Shall with illustrious Chiefs his echo'd name enrol.


II.

    Who the civic crown obtains,
    Or bears into his granaries large
The plenteous tribute of the Libyan Plains;
Or he, who watches still a rural charge,
    O'er his own fields directs the plough,
    Sees his own fr...

Anna Seward