The Merchant, To Secure His Treasure

The merchant, to secure his treasure,
Conveys it in a borrowed name:
Euphelia serves to grace my measure,
But Cloe is my real flame.

My softest verse, my darling lyre
Upon Euphelia's toilet lay
When Cloe noted her desire
That I should sing, that I should play.

My lyre I tune, my voice I raise,
But with my numbers mix my sighs;
And whilst I sing Euphelia's praise,
I fix my soul on Cloe's eyes.

Fair Cloe blushed; Euphelia frowned:
I sung, and gazed; I played, and trembled:
And Venus to the Loves around
Remarked how ill we all dissembled.

Matthew Prior

Matthew Prior was an English poet and diplomat. He is known for his extensive contributions to poetry during the late 17th and early 18th centuries. Prior's works often blend sharp wit, classical allusions, and a mastery of form. Apart from poetry, he was actively involved in politics and served as a diplomat for the English government. His poetry reflects his broad knowledge and varied experiences.

Matthew Prior

The Remedy Worse Than The Disease

Matthew Prior, Simple Poetry

The Thief And Cordelier. A Ballad

Matthew Prior, Simple Poetry

Written In The Beginning Of Mezeray's History Of France

Matthew Prior, Simple Poetry

On A Picture Of Seneca Dying In A Bath, By Jordain

Matthew Prior, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

An Ode. The Merchant, To Secure

The merchant, to secure his treasure,
Conveys it in a borrow'd name:
Euphelia serves to grace my measure:
But Cloe is my real flame.

My softest verse, my darling lyre,
Upon Euphelia's toilet lay;
When Cloe noted her desire,
That I should sing, that I should play.

My lyre I tune, my voice I raise,
But with my numbers mix my sighs;
And, whilst I sing Euphelia's praise,
I fix my soul on Cloe's eyes.

Fair Cloe blush'd: Euphelia frown'd:
I sung, and gazed: I play'd, and trembled:
And Venus to the Loves around
Remark'd how ill we all dissembled.

Matthew Prior

An Ode

The merchant, to secure his treasure,
Conveys it in a borrowed name:
Euphelia serves to grace my measure;
But Chloe is my real Flame.

My softest verse, my darling lyre
Upon Euphelias toilet lay;
When Chloe noted her desire,
That I should sing, that I should play.

My lyre I tune, my voice I raise;
But with my numbers mix my sighs:
And whilst I sing Euphelias praise,
I fix my soul on Chloes eyes.

Fair Chloe blushd: Euphelia frowned:
I sung and gazed:I played and trembled:
And Venus to the Loves around
Remarked, how ill we all dissembled.

Matthew Prior

Cloe Jealous

Forbear to ask Me, why I weep;
Vext Cloe to her Shepherd said:
'Tis for my Two poor stragling Sheep
Perhaps, or for my Squirrel dead.
For mind I what You late have writ?
Your subtle Questions, and Replies;
Emblems, to teach a Female Wit
The Ways, where changing Cupid flies.
Your Riddle, purpos'd to rehearse
The general Pow'r that Beauty has:
But why did no peculiar Verse
Describe one Charm of Cloe's Face?
The Glass, which was at Venus' Shrine,
With such Mysterious Sorrow laid:
The Garland (and You call it Mine)
Which show'd how Youth and Beauty fade.
Ten thousand Trifles light as These
Nor can my Rage, nor Anger move:
She shou'd be humble, who wou'd please:
And She must suffer, who can love.
When in My Glass I chanc'd to look;
Of Venus...

Matthew Prior

Cantata. Set By Mons. Galliard

Recit.
Beneath a verdant laurel's ample shade
His lyre to mournful numbers strung,
Horace, immortal bard supinely laid,
To Venus thus address'd the song;
Ten thousand little loves around,
Listening dwelt on every sound.

Ariet.
Potent Venus, bid thy son
Sound no more his dire alarms:
Youth on silent wings is flown;
Graver years come rolling on,
Spare my age unfit for arms:
Safe and humble let me rest,
From all amorous care released.
Potent Venus, bid thy son
Sound no more his dire alarms.

Recit.
Yet, Venus, why do I each morn prepare
The fragrant wreath for Cloe's hair?
Why, why do I all day lament and sigh,
Unless the beauteous maid be nigh?
And why all night pursue her in my dreams
Through flowery meads and cryst...

Matthew Prior

The Garland

The pride of every grove I chose,
The violet sweet and lily fair,
The dappled pink and blushing rose,
To deck my charming Cloe's hair.

At morn the nymph vouchsafed to place
Upon her brow the various wreath;
The flowers less blooming than her face,
The scent less fragrant than her breath.

The flowers she wore along the day,
And every nymph and shepherd said,
That in her hair they look'd more gay
Than glowing in their native bed.

Undress'd at evening, when she found
Their odours lost, their colours past,
She changed her look, and on the ground
Her garland and her eyes she cast.

That eye dropp'd sense distinct and clear
As any Muse's tongue could speak,
When from its lid a pearly tear
Ran trickling down her beauteous cheek.<...

Matthew Prior

Cupid's Promise - Paraphrased

Soft Cupid, wanton, amorous boy,
The other day, moved with my lyre,
In flattering accents spoke his joy,
And uttered thus his fond desire.

Oh! raise thy voice, one song I ask,
Touch then th' harmonious string;
To Thyrsis easy is the task,
Who can so sweetly play and sing.

Two kisses from my mother dear,
Thyrsis, thy due reward shall be;
None, none like Beauty's queen is fair;
Paris has vouch'd this truth for me.

I straight reply'd, thou know'st alone,
That brightest Cloe rules my breast,
I'll sing thee two instead of one
If thou'lt be kind and make me blest.

One kiss from Cloe's lips, no more
I crave. He promised me success;
I play'd with all my skill and power,
My glowing passion to express.

But, oh! my Cloe, ...

Matthew Prior