At A Country Fair

At a bygone Western country fair
I saw a giant led by a dwarf
With a red string like a long thin scarf;
How much he was the stronger there
The giant seemed unaware.

And then I saw that the giant was blind,
And the dwarf a shrewd-eyed little thing;
The giant, mild, timid, obeyed the string
As if he had no independent mind,
Or will of any kind.

Wherever the dwarf decided to go
At his heels the other trotted meekly,
(Perhaps - I know not - reproaching weakly)
Like one Fate bade that it must be so,
Whether he wished or no.

Various sights in various climes
I have seen, and more I may see yet,
But that sight never shall I forget,
And have thought it the sorriest of pantomimes,
If once, a hundred times!

Thomas Hardy

Thomas Hardy (1840-1928) was an English novelist and poet. Born in Dorset, his works often featured the semi-fictional region of Wessex. Hardy was initially trained as an architect, but he later pursued writing full-time. His novels, including 'Tess of the d'Urbervilles,' 'Far from the Madding Crowd,' and 'Jude the Obscure,' are known for their critical portrayal of Victorian society and its mores. As a poet, he is recognized for his explorations of human suffering and the indifferent forces of nature. Hardy's legacy is profound, influencing both literature and criticism.

Thomas Hardy

Something Tapped

Thomas Hardy, Simple Poetry

The Going

Thomas Hardy, Simple Poetry

The Spell Of The Rose

Thomas Hardy, Simple Poetry

The Masked Face

Thomas Hardy, Simple Poetry

English

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The Man With A Past

There was merry-making
When the first dart fell
As a heralding, -
Till grinned the fully bared thing,
And froze like a spell -
Like a spell.

Innocent was she,
Innocent was I,
Too simple we!
Before us we did not see,
Nearing, aught wry -
Aught wry!

I can tell it not now,
It was long ago;
And such things cow;
But that is why and how
Two lives were so -
Were so.

Yes, the years matured,
And the blows were three
That time ensured
On her, which she dumbly endured;
And one on me -
One on me.

Thomas Hardy

In Front Of The Landscape

Plunging and labouring on in a tide of visions,
    Dolorous and dear,
Forward I pushed my way as amid waste waters
    Stretching around,
Through whose eddies there glimmered the customed landscape
    Yonder and near,

Blotted to feeble mist. And the coomb and the upland
    Foliage-crowned,
Ancient chalk-pit, milestone, rills in the grass-flat
    Stroked by the light,
Seemed but a ghost-like gauze, and no substantial
    Meadow or mound.

What were the infinite spectacles bulking foremost
    Under my sight,
Hindering me to discern my paced advancement
    Lengthening to miles;
What were the re-creations killing the daytime
    As by the night?

O they were speechful faces, gazing insistent,
    Some as with smiles,
Some ...

Thomas Hardy

To Shakespeare - After Three Hundred Years

Bright baffling Soul, least capturable of themes,
Thou, who display'dst a life of common-place,
Leaving no intimate word or personal trace
Of high design outside the artistry
Of thy penned dreams,
Still shalt remain at heart unread eternally.

Through human orbits thy discourse to-day,
Despite thy formal pilgrimage, throbs on
In harmonies that cow Oblivion,
And, like the wind, with all-uncared effect
Maintain a sway
Not fore-desired, in tracks unchosen and unchecked.

And yet, at thy last breath, with mindless note
The borough clocks but samely tongued the hour,
The Avon just as always glassed the tower,
Thy age was published on thy passing-bell
But in due rote
With other dwellers' deaths accorded a like knell.

And at the strokes some...

Thomas Hardy

A Procession Of Dead Days

I see the ghost of a perished day;
I know his face, and the feel of his dawn:
'Twas he who took me far away
To a spot strange and gray:
Look at me, Day, and then pass on,
But come again: yes, come anon!

Enters another into view;
His features are not cold or white,
But rosy as a vein seen through:
Too soon he smiles adieu.
Adieu, O ghost-day of delight;
But come and grace my dying sight.

Enters the day that brought the kiss:
He brought it in his foggy hand
To where the mumbling river is,
And the high clematis;
It lent new colour to the land,
And all the boy within me manned.

Ah, this one. Yes, I know his name,
He is the day that wrought a shine
Even on a precinct common and tame,
As 'twere of purposed aim.
He show...

Thomas Hardy

Signs And Tokens

Said the red-cloaked crone
In a whispered moan:

"The dead man was limp
When laid in his chest;
Yea, limp; and why
But to signify
That the grave will crimp
Ere next year's sun
Yet another one
Of those in that house -
It may be the best -
For its endless drowse!"

Said the brown-shawled dame
To confirm the same:

"And the slothful flies
On the rotting fruit
Have been seen to wear
While crawling there
Crape scarves, by eyes
That were quick and acute;
As did those that had pitched
On the cows by the pails,
And with flaps of their tails
Were far away switched."

Said the third in plaid,
Each word being weighed:

"And trotting does
In the park, in the lane,
And just outside
Th...

Thomas Hardy

At Castle Boterel

As I drive to the junction of lane and highway,
    And the drizzle bedrenches the waggonette,
I look behind at the fading byway,
    And see on its slope, now glistening wet,
    Distinctly yet

Myself and a girlish form benighted
    In dry March weather. We climb the road
Beside a chaise. We had just alighted
    To ease the sturdy pony's load
    When he sighed and slowed.

What we did as we climbed, and what we talked of
    Matters not much, nor to what it led, -
Something that life will not be balked of
    Without rude reason till hope is dead,
    And feeling fled.

It filled but a minute. But was there ever
    A time of such quality, since or before,
In that hill's story? To one mind never,
    Though it has been climbed, fo...

Thomas Hardy