At Lulworth Cove A Century Back

Had I but lived a hundred years ago
I might have gone, as I have gone this year,
By Warmwell Cross on to a Cove I know,
And Time have placed his finger on me there:

"YOU SEE THAT MAN?" I might have looked, and said,
"O yes: I see him. One that boat has brought
Which dropped down Channel round Saint Alban's Head.
So commonplace a youth calls not my thought."

"YOU SEE THAT MAN?" "Why yes; I told you; yes:
Of an idling town-sort; thin; hair brown in hue;
And as the evening light scants less and less
He looks up at a star, as many do."

"YOU SEE THAT MAN?" "Nay, leave me!" then I plead,
"I have fifteen miles to vamp across the lea,
And it grows dark, and I am weary-kneed:
I have said the third time; yes, that man I see!

"Good. That man goes to Rome to death, despair;
And no one notes him now but you and I:
A hundred years, and the world will follow him there,
And bend with reverence where his ashes lie."

September 1920.

Thomas Hardy

Thomas Hardy (1840-1928) was an English novelist and poet. Born in Dorset, his works often featured the semi-fictional region of Wessex. Hardy was initially trained as an architect, but he later pursued writing full-time. His novels, including 'Tess of the d'Urbervilles,' 'Far from the Madding Crowd,' and 'Jude the Obscure,' are known for their critical portrayal of Victorian society and its mores. As a poet, he is recognized for his explorations of human suffering and the indifferent forces of nature. Hardy's legacy is profound, influencing both literature and criticism.

Thomas Hardy

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The Going

Why did you give no hint that night
That quickly after the morrow's dawn,
And calmly, as if indifferent quite,
You would close your term here, up and be gone
    Where I could not follow
    With wing of swallow
To gain one glimpse of you ever anon!

    Never to bid good-bye,
    Or give me the softest call,
Or utter a wish for a word, while I
Saw morning harden upon the wall,
    Unmoved, unknowing
    That your great going
Had place that moment, and altered all.

Why do you make me leave the house
And think for a breath it is you I see
At the end of the alley of bending boughs
Where so often at dusk you used to be;
    Till in darkening dankness
    The yawning blankness
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To Shakespeare - After Three Hundred Years

Bright baffling Soul, least capturable of themes,
Thou, who display'dst a life of common-place,
Leaving no intimate word or personal trace
Of high design outside the artistry
Of thy penned dreams,
Still shalt remain at heart unread eternally.

Through human orbits thy discourse to-day,
Despite thy formal pilgrimage, throbs on
In harmonies that cow Oblivion,
And, like the wind, with all-uncared effect
Maintain a sway
Not fore-desired, in tracks unchosen and unchecked.

And yet, at thy last breath, with mindless note
The borough clocks but samely tongued the hour,
The Avon just as always glassed the tower,
Thy age was published on thy passing-bell
But in due rote
With other dwellers' deaths accorded a like knell.

And at the strokes some...

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Wessex Heights (1896)

There are some heights in Wessex, shaped as if by a kindly hand
For thinking, dreaming, dying on, and at crises when I stand,
Say, on Ingpen Beacon eastward, or on Wylls-Neck westwardly,
I seem where I was before my birth, and after death may be.

In the lowlands I have no comrade, not even the lone man's friend -
Her who suffereth long and is kind; accepts what he is too weak to mend:
Down there they are dubious and askance; there nobody thinks as I,
But mind-chains do not clank where one's next neighbour is the sky.

In the towns I am tracked by phantoms having weird detective ways -
Shadows of beings who fellowed with myself of earlier days:
They hang about at places, and they say harsh heavy things -
Men with a frigid sneer, and women with tart disparagings.

D...

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The Seven Times

The dark was thick. A boy he seemed at that time
Who trotted by me with uncertain air;
"I'll tell my tale," he murmured, "for I fancy
A friend goes there? . . . "

Then thus he told. "I reached 'twas for the first time -
A dwelling. Life was clogged in me with care;
I thought not I should meet an eyesome maiden,
But found one there.

"I entered on the precincts for the second time -
'Twas an adventure fit and fresh and fair -
I slackened in my footsteps at the porchway,
And found her there.

"I rose and travelled thither for the third time,
The hope-hues growing gayer and yet gayer
As I hastened round the boscage of the outskirts,
And found her there.

"I journeyed to the place again the fourth time
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A Man Was Drawing Near To Me

On that gray night of mournful drone,
A part from aught to hear, to see,
I dreamt not that from shires unknown
In gloom, alone,
By Halworthy,
A man was drawing near to me.

I'd no concern at anything,
No sense of coming pull-heart play;
Yet, under the silent outspreading
Of even's wing
Where Otterham lay,
A man was riding up my way.

I thought of nobody not of one,
But only of trifles legends, ghosts
Though, on the moorland dim and dun
That travellers shun
About these coasts,
The man had passed Tresparret Posts.

There was no light at all inland,
Only the seaward pharos-fire,
Nothing to let me understand
That hard at hand
By Hennett Byre
The man was getting nigh and nigher.

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The Man Who Forgot

At a lonely cross where bye-roads met
I sat upon a gate;
I saw the sun decline and set,
And still was fain to wait.

A trotting boy passed up the way
And roused me from my thought;
I called to him, and showed where lay
A spot I shyly sought.

"A summer-house fair stands hidden where
You see the moonlight thrown;
Go, tell me if within it there
A lady sits alone."

He half demurred, but took the track,
And silence held the scene;
I saw his figure rambling back;
I asked him if he had been.

"I went just where you said, but found
No summer-house was there:
Beyond the slope 'tis all bare ground;
Nothing stands anywhere.

"A man asked what my brains were worth;
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And was pulled dow...

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