The Milestone By The Rabbit-Burrow

On Yell'Ham Hill


In my loamy nook
As I dig my hole
I observe men look
At a stone, and sigh
As they pass it by
To some far goal.

Something it says
To their glancing eyes
That must distress
The frail and lame,
And the strong of frame
Gladden or surprise.

Do signs on its face
Declare how far
Feet have to trace
Before they gain
Some blest champaign
Where no gins are?

Thomas Hardy

Thomas Hardy (1840-1928) was an English novelist and poet. Born in Dorset, his works often featured the semi-fictional region of Wessex. Hardy was initially trained as an architect, but he later pursued writing full-time. His novels, including 'Tess of the d'Urbervilles,' 'Far from the Madding Crowd,' and 'Jude the Obscure,' are known for their critical portrayal of Victorian society and its mores. As a poet, he is recognized for his explorations of human suffering and the indifferent forces of nature. Hardy's legacy is profound, influencing both literature and criticism.

Thomas Hardy

The Collector Cleans His Picture

Thomas Hardy, Simple Poetry

A Conversation At Dawn

Thomas Hardy, Simple Poetry

The Comet At Yalbury Or Yell'ham

Thomas Hardy, Simple Poetry

The Memorial Brass: 186-

Thomas Hardy, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

At Castle Boterel

As I drive to the junction of lane and highway,
    And the drizzle bedrenches the waggonette,
I look behind at the fading byway,
    And see on its slope, now glistening wet,
    Distinctly yet

Myself and a girlish form benighted
    In dry March weather. We climb the road
Beside a chaise. We had just alighted
    To ease the sturdy pony's load
    When he sighed and slowed.

What we did as we climbed, and what we talked of
    Matters not much, nor to what it led, -
Something that life will not be balked of
    Without rude reason till hope is dead,
    And feeling fled.

It filled but a minute. But was there ever
    A time of such quality, since or before,
In that hill's story? To one mind never,
    Though it has been climbed, fo...

Thomas Hardy

The Rambler

I do not see the hills around,
Nor mark the tints the copses wear;
I do not note the grassy ground
And constellated daisies there.

I hear not the contralto note
Of cuckoos hid on either hand,
The whirr that shakes the nighthawk's throat
When eve's brown awning hoods the land.

Some say each songster, tree, and mead -
All eloquent of love divine -
Receives their constant careful heed:
Such keen appraisement is not mine.

The tones around me that I hear,
The aspects, meanings, shapes I see,
Are those far back ones missed when near,
And now perceived too late by me!

Thomas Hardy

Epeisodia

I

Past the hills that peep
Where the leaze is smiling,
On and on beguiling
Crisply-cropping sheep;
Under boughs of brushwood
Linking tree and tree
In a shade of lushwood,
There caressed we!

II

Hemmed by city walls
That outshut the sunlight,
In a foggy dun light,
Where the footstep falls
With a pit-pat wearisome
In its cadency
On the flagstones drearisome
There pressed we!

III

Where in wild-winged crowds
Blown birds show their whiteness
Up against the lightness
Of the clammy clouds;
By the random river
Pushing to the sea,
Under bents that quiver
There rest we.

Thomas Hardy

At Lulworth Cove A Century Back

Had I but lived a hundred years ago
I might have gone, as I have gone this year,
By Warmwell Cross on to a Cove I know,
And Time have placed his finger on me there:

"YOU SEE THAT MAN?" I might have looked, and said,
"O yes: I see him. One that boat has brought
Which dropped down Channel round Saint Alban's Head.
So commonplace a youth calls not my thought."

"YOU SEE THAT MAN?" "Why yes; I told you; yes:
Of an idling town-sort; thin; hair brown in hue;
And as the evening light scants less and less
He looks up at a star, as many do."

"YOU SEE THAT MAN?" "Nay, leave me!" then I plead,
"I have fifteen miles to vamp across the lea,
And it grows dark, and I am weary-kneed:
I have said the third time; yes, that man I see!

"Good. That man goes ...

Thomas Hardy

Old Excursions

"What's the good of going to Ridgeway,
Cerne, or Sydling Mill,
Or to Yell'ham Hill,
Blithely bearing Casterbridge-way
As we used to do?
She will no more climb up there,
Or be visible anywhere
In those haunts we knew."

But to-night, while walking weary,
Near me seemed her shade,
Come as 'twere to upbraid
This my mood in deeming dreary
Scenes that used to please;
And, if she did come to me,
Still solicitous, there may be
Good in going to these.

So, I'll care to roam to Ridgeway,
Cerne, or Sydling Mill,
Or to Yell'ham Hill,
Blithely bearing Casterbridge-way
As we used to do,
Since her phasm may flit out there,
And may greet me anywhere
In those haunts we knew.

April 1913.

Thomas Hardy

Meditations On A Holiday (A New Theme To An Old Folk-Jingle)

'Tis May morning,
All-adorning,
No cloud warning
Of rain to-day.
Where shall I go to,
Go to, go to? -
Can I say No to
Lyonnesse-way?

Well what reason
Now at this season
Is there for treason
To other shrines?
Tristram is not there,
Isolt forgot there,
New eras blot there
Sought-for signs!

Stratford-on-Avon -
Poesy-paven -
I'll find a haven
There, somehow! -
Nay I'm but caught of
Dreams long thought of,
The Swan knows nought of
His Avon now!

What shall it be, then,
I go to see, then,
Under the plea, then,
Of votary?
I'll go to Lakeland,
Lakeland, Lakeland,
Certainly Lakeland
Let it be.

But why to that place,
That place, that place,
Such a hard come-a...

Thomas Hardy