Evening

From upland slopes I see the cows file by,
Lowing, great-chested, down the homeward trail,
By dusking fields and meadows shining pale
With moon-tipped dandelions. Flickering high,
A peevish night-hawk in the western sky
Beats up into the lucent solitudes,
Or drops with griding wing. The stilly woods
Grow dark and deep and gloom mysteriously.
Cool night-winds creep, and whisper in mine ear
The homely cricket gossips at my feet.
From far-off pools and wastes of reeds I hear,
Clear and soft-piped, the chanting frogs break sweet
In full Pandean chorus. One by one
Shine out the stars, and the great night comes on.

Archibald Lampman

Canadian Confederation poet Archibald Lampman, born in 1861, is often regarded as one of Canada's finest late 19th-century poets. Known for his nature-themed works, Lampman contributed significantly to the country's literary heritage. He published several collections, with "Among the Millet" and "Lyrics of Earth" being notable examples. Lampman's poetry reflects a deep appreciation for the Canadian landscape, making him a seminal figure in Canadian literature.

Archibald Lampman

Refuge

Archibald Lampman, Simple Poetry

Music.

Archibald Lampman, Simple Poetry

God-Speed To The Snow

Archibald Lampman, Simple Poetry

April.

Archibald Lampman, Simple Poetry

English

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By An Autumn Stream

Now overhead,
Where the rivulet loiters and stops,
The bittersweet hangs from the tops
Of the alders and cherries
Its bunches of beautiful berries,
Orange and red.

And the snowbirds flee,
Tossing up on the far brown field,
Now flashing and now concealed,
Like fringes of spray
That vanish and gleam on the gray
Field of the sea.

Flickering light,
Come the last of the leaves down borne,
And patches of pale white corn
In the wind complain,
Like the slow rustle of rain
Noticed by night.

Withered and thinned,
The sentinel mullein looms,
With the pale gray shadowy plumes
Of the goldenrod;
And the milkweed opens its pod,
Tempting the wind.

Aloft on the hill,
A cloudrift opens and shines
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Archibald Lampman

Morning On The Lièvres.

Far above us where a jay
Screams his matins to the day,
Capped with gold and amethyst,
Like a vapour from the forge
Of a giant somewhere hid,
Out of hearing of the clang
Of his hammer, skirts of mist
Slowly up the woody gorge
Lift and hang.

Softly as a cloud we go,
Sky above and sky below,
Down the river, and the dip
Of the paddles scarcely breaks,
With the little silvery drip
Of the water as it shakes
From the blades, the crystal deep
Of the silence of the morn,
Of the forest yet asleep,
And the river reaches borne
In a mirror, purple grey,
Sheer away
To the misty line of light,
Where the forest and the stream
In the shadow meet and plight,
Like a dream.

From amid a stretch of reeds,
Where the lazy...

Archibald Lampman

April Night

How deep the April night is in its noon,
The hopeful, solemn, many-murmured night!
The earth lies hushed with expectation; bright
Above the world's dark border burns the moon,
Yellow and large; from forest floorways, strewn
With flowers, and fields that tingle with new birth,
The moist smell of the unimprisoned earth
Comes up, a sigh, a haunting promise. Soon,
Ah, soon, the teeming triumph! At my feet
The river with its stately sweep and wheel
Moves on slow-motioned, luminous, grey like steel.
From fields far off whose watery hollows gleam,
Aye with blown throats that make the long hours sweet,
The sleepless toads are murmuring in their dream.

Archibald Lampman

Midnight.

From where I sit, I see the stars,
And down the chilly floor
The moon between the frozen bars
Is glimmering dim and hoar.

Without in many a peakèd mound
The glinting snowdrifts lie;
There is no voice or living sound;
The embers slowly die.

Yet some wild thing is in mine ear;
I hold my breath and hark;
Out of the depth I seem to hear
A crying in the dark:

No sound of man or wife or child,
No sound of beast that groans,
Or of the wind that whistles wild,
Or of the tree that moans:

I know not what it is I hear;
I bend my head and hark:
I cannot drive it from mine ear,
That crying in the dark.

Archibald Lampman

An Autumn Landscape

No wind there is that either pipes or moans;
The fields are cold and still; the sky
Is covered with a blue-gray sheet
Of motionless cloud; and at my feet
The river, curling softly by,
Whispers and dimples round its quiet gray stones.

Along the chill green slope that dips and heaves
The road runs rough and silent, lined
With plum-trees, misty and blue-gray,
And poplars pallid as the day,
In masses spectral, undefined,
Pale greenish stems half hid in dry gray leaves.

And on beside the river's sober edge
A long fresh field lies black. Beyond,
Low thickets gray and reddish stand,
Stroked white with birch; and near at hand,
Over a little steel-smooth pond,
Hang multitudes of thin and withering sedge.

Across a waste and solitary rise

Archibald Lampman

Winter Evening

To-night the very horses springing by
Toss gold from whitened nostrils. In a dream
The streets that narrow to the westward gleam
Like rows of golden palaces; and high
From all the crowded chimneys tower and die
A thousand aureoles. Down in the west
The brimming plains beneath the sunset rest,
One burning sea of gold. Soon, soon shall fly
The glorious vision, and the hours shall feel
A mightier master; soon from height to height,
With silence and the sharp unpitying stars,
Stern creeping frosts, and winds that touch like steel,
Out of the depth beyond the eastern bars,
Glittering and still shall come the awful night.

Archibald Lampman