Fire

In each black tile a mimic fire's aglow,
And in the hearthlight old mahogany,
Ripe with stored sunshine that in Mexico
Poured like gold wine into the living tree
Summer on summer through a century,
Burns like a crater in the heart of night:
And all familiar things in the ingle-light
Glow with a secret strange intensity.

And I remember hidden fires that burst
Suddenly from the midnight while men slept,
Long-smouldering rages in the darkness nursed
That to an instant ravening fury leapt,
And the old terror menacing evermore
A crumbling world with fiery molten core.

Wilfrid Wilson Gibson

Wilfrid Wilson Gibson was a British Georgian poet, known for his early association with Rupert Brooke and other poets like Siegfried Sassoon and Robert Graves. His works primarily dealt with the lives of ordinary people and reflected the grim realities of war. He is also recognized for his contribution to the war poetry genre, capturing the human cost of conflict with stark realism and empathy.

Wilfrid Wilson Gibson

Quiet

Wilfrid Wilson Gibson, Simple Poetry

By The Weir

Wilfrid Wilson Gibson, Simple Poetry

Reveille

Wilfrid Wilson Gibson, Simple Poetry

Barbara Fell

Wilfrid Wilson Gibson, Simple Poetry

English

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In dream, again within the clean, cold hell
Of glazed and aching silence he was trapped;
And, closing in, the blank walls of his cell
Crushed stifling on him ... when the bracken snapped,
Caught in his clutching fingers; and he lay
Awake upon his back among the fern,
With free eyes travelling the wide blue day,
Unhindered, unremembering; while a burn
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Unheard of him; till suddenly aware
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Looked all about him: and with dazed eyes wide
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Old Fires

The fire burns low
Where it has burned ages ago,
Sinks and sighs
As it has done to a hundred eyes
Staring, staring
At the last cold smokeless glow.

Here men sat
Lonely and watched the golden grate
Turn at length black;
Heard the cooling iron crack:
Shadows, shadows,
Watching the shadows come and go.

And still the hiss
I hear, the soft fire's sob and kiss,
And still it burns
And the bright gold to crimson turns,
Sinking, sinking,
And the fire shadows larger grow.

O dark-cheeked fire,
Wasting like spent heart's desire,
You that were gold,
And now crimson will soon be cold--
Cold, cold,
Like moon-shadows on new snow.

Shadows all,
They that watched your shadows fall.
But now they come
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Lighting The Fire

You were a gipsy as you bent
Your dark hair over the black grate.
Hardly the west light above the hill
Showed your shadow, crooked and still.
The bellows hissed, and one bright spark
Deepened the hasty dark.

The bellows hissed, and the old smell
Crept on the air of smoking peat,
And round the spark a bubbling flame
Grew bright and loud. Sweeping the gloom
Lunatic shadows fled and came
Whirling about the room.

Then as you raised your head I saw
In the clear light of the bubbling fire
Your dark hair all lined with the gray
Sprinkled by years and sorrow and pain ...
Till as the bellows idle lay
Shadow swept back again.

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By The Weir

A scent of Esparto grass, and again I recall
That hour we spent by the weir of the paper-mill
Watching together the curving thunderous fall
Of frothing amber, bemused by the roar until
My mind was as blank as the speckless sheets that wound
On the hot steel ironing-rollers perpetually turning
In the humming dark rooms of the mill: all sense and discerning
By the stunning and dazzling oblivion of hill-waters drowned.

And my heart was empty of memory and hope and desire
Till, rousing, I looked afresh on your face as you gazed,
Behind you an old gnarled fruit-tree in one still fire
Of innumerable flame in the sun of October blazed,
Scarlet and gold that the first white frost would spill
With eddying flicker and patter of dead leaves falling,
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Wilfrid Wilson Gibson

The Fire Of Drift-Wood

Devereux Farm, Near Marblehead

We sat within the farm-house old,
    Whose windows, looking o'er the bay,
Gave to the sea-breeze, damp and cold,
    An easy entrance, night and day.

Not far away we saw the port,
    The strange, old-fashioned, silent town,
The lighthouse, the dismantled fort,
    The wooden houses, quaint and brown.

We sat and talked until the night,
    Descending, filled the little room;
Our faces faded from the sight,
    Our voices only broke the gloom.

We spake of many a vanished scene,
    Of what we once had thought and said,
Of what had been, and might have been,
    And who was changed, and who was dead;

And all that fills the hearts of friends,
    When first they feel, with secret pain,
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The Fen-Fire.

The misty rain makes dim my face,
The night's black cloak is o'er me;
I tread the dripping cypress-place,
A flickering light before me.

Out of the death of leaves that rot
And ooze and weedy water,
My form was breathed to haunt this spot,
Death's immaterial daughter.

The owl that whoops upon the yew,
The snake that lairs within it,
Have seen my wild face flashing blue
For one fantastic minute.

But should you follow where my eyes
Like some pale lamp decoy you,
Beware! lest suddenly I rise
With love that shall destroy you.

Madison Julius Cawein