I Looked Up From My Writing

I looked up from my writing,
And gave a start to see,
As if rapt in my inditing,
The moon's full gaze on me.

Her meditative misty head
Was spectral in its air,
And I involuntarily said,
"What are you doing there?"

"Oh, I've been scanning pond and hole
And waterway hereabout
For the body of one with a sunken soul
Who has put his life-light out.

"Did you hear his frenzied tattle?
It was sorrow for his son
Who is slain in brutish battle,
Though he has injured none.

"And now I am curious to look
Into the blinkered mind
Of one who wants to write a book
In a world of such a kind."

Her temper overwrought me,
And I edged to shun her view,
For I felt assured she thought me
One who should drown him too.

Thomas Hardy

Thomas Hardy (1840-1928) was an English novelist and poet. Born in Dorset, his works often featured the semi-fictional region of Wessex. Hardy was initially trained as an architect, but he later pursued writing full-time. His novels, including 'Tess of the d'Urbervilles,' 'Far from the Madding Crowd,' and 'Jude the Obscure,' are known for their critical portrayal of Victorian society and its mores. As a poet, he is recognized for his explorations of human suffering and the indifferent forces of nature. Hardy's legacy is profound, influencing both literature and criticism.

Thomas Hardy

The Division

Thomas Hardy, Simple Poetry

In A London Flat

Thomas Hardy, Simple Poetry

Old Furniture

Thomas Hardy, Simple Poetry

Catullus: XXXI

Thomas Hardy, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

The Moon Looks In

I

I have risen again,
And awhile survey
By my chilly ray
Through your window-pane
Your upturned face,
As you think, "Ah-she
Now dreams of me
In her distant place!"

II

I pierce her blind
In her far-off home:
She fixes a comb,
And says in her mind,
"I start in an hour;
Whom shall I meet?
Won't the men be sweet,
And the women sour!"

Thomas Hardy

In Front Of The Landscape

Plunging and labouring on in a tide of visions,
    Dolorous and dear,
Forward I pushed my way as amid waste waters
    Stretching around,
Through whose eddies there glimmered the customed landscape
    Yonder and near,

Blotted to feeble mist. And the coomb and the upland
    Foliage-crowned,
Ancient chalk-pit, milestone, rills in the grass-flat
    Stroked by the light,
Seemed but a ghost-like gauze, and no substantial
    Meadow or mound.

What were the infinite spectacles bulking foremost
    Under my sight,
Hindering me to discern my paced advancement
    Lengthening to miles;
What were the re-creations killing the daytime
    As by the night?

O they were speechful faces, gazing insistent,
    Some as with smiles,
Some ...

Thomas Hardy

At A Seaside Town In 1869 - Young Lover's Reverie

I went and stood outside myself,
Spelled the dark sky
And ship-lights nigh,
And grumbling winds that passed thereby.

Then next inside myself I looked,
And there, above
All, shone my Love,
That nothing matched the image of.

Beyond myself again I ranged;
And saw the free
Life by the sea,
And folk indifferent to me.

O 'twas a charm to draw within
Thereafter, where
But she was; care
For one thing only, her hid there!

But so it chanced, without myself
I had to look,
And then I took
More heed of what I had long forsook:

The boats, the sands, the esplanade,
The laughing crowd;
Light-hearted, loud
Greetings from some not ill-endowed;

The evening sunlit cliffs, the talk,
Hailings and halts...

Thomas Hardy

Overlooking The River Stour

The swallows flew in the curves of an eight
Above the river-gleam
In the wet June's last beam:
Like little crossbows animate
The swallows flew in the curves of an eight
Above the river-gleam.

Planing up shavings of crystal spray
A moor-hen darted out
From the bank thereabout,
And through the stream-shine ripped his way;
Planing up shavings of crystal spray
A moor-hen darted out.

Closed were the kingcups; and the mead
Dripped in monotonous green,
Though the day's morning sheen
Had shown it golden and honeybee'd;
Closed were the kingcups; and the mead
Dripped in monotonous green.

And never I turned my head, alack,
While these things met my gaze
Through the pane's drop-drenched glaze,
To see the more behind my back . . ....

Thomas Hardy

On Stinsford Hill At Midnight

I glimpsed a woman's muslined form
Sing-songing airily
Against the moon; and still she sang,
And took no heed of me.

Another trice, and I beheld
What first I had not scanned,
That now and then she tapped and shook
A timbrel in her hand.

So late the hour, so white her drape,
So strange the look it lent
To that blank hill, I could not guess
What phantastry it meant.

Then burst I forth: "Why such from you?
Are you so happy now?"
Her voice swam on; nor did she show
Thought of me anyhow.

I called again: "Come nearer; much
That kind of note I need!"
The song kept softening, loudening on,
In placid calm unheed.

"What home is yours now?" then I said;
"You seem to have no care."
But the wild wavering tune went...

Thomas Hardy

At Waking

When night was lifting,
And dawn had crept under its shade,
Amid cold clouds drifting
Dead-white as a corpse outlaid,
With a sudden scare
I seemed to behold
My Love in bare
Hard lines unfold.

Yea, in a moment,
An insight that would not die
Killed her old endowment
Of charm that had capped all nigh,
Which vanished to none
Like the gilt of a cloud,
And showed her but one
Of the common crowd.

She seemed but a sample
Of earth's poor average kind,
Lit up by no ample
Enrichments of mien or mind.
I covered my eyes
As to cover the thought,
And unrecognize
What the morn had taught.

O vision appalling
When the one believed-in thing
Is seen falling, falling,
With all to which hope can cling.
Of...

Thomas Hardy