Looking Across

I

It is dark in the sky,
And silence is where
Our laughs rang high;
And recall do I
That One is out there.

II

The dawn is not nigh,
And the trees are bare,
And the waterways sigh
That a year has drawn by,
And Two are out there.

III

The wind drops to die
Like the phantom of Care
Too frail for a cry,
And heart brings to eye
That Three are out there.

IV

This Life runs dry
That once ran rare
And rosy in dye,
And fleet the days fly,
And Four are out there.

V

Tired, tired am I
Of this earthly air,
And my wraith asks: Why,
Since these calm lie,
Are not Five out there?

December 1915.

Thomas Hardy

Thomas Hardy (1840-1928) was an English novelist and poet. Born in Dorset, his works often featured the semi-fictional region of Wessex. Hardy was initially trained as an architect, but he later pursued writing full-time. His novels, including 'Tess of the d'Urbervilles,' 'Far from the Madding Crowd,' and 'Jude the Obscure,' are known for their critical portrayal of Victorian society and its mores. As a poet, he is recognized for his explorations of human suffering and the indifferent forces of nature. Hardy's legacy is profound, influencing both literature and criticism.

Thomas Hardy

On A Discovered Curl Of Hair

Thomas Hardy, Simple Poetry

The Satin Shoes

Thomas Hardy, Simple Poetry

The Background And The Figure - Lover's Ditty

Thomas Hardy, Simple Poetry

The Pity Of It

Thomas Hardy, Simple Poetry

English

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The Souls Of The Slain

I

The thick lids of Night closed upon me
Alone at the Bill
Of the Isle by the Race {1} -
Many-caverned, bald, wrinkled of face -
And with darkness and silence the spirit was on me
To brood and be still.

II

No wind fanned the flats of the ocean,
Or promontory sides,
Or the ooze by the strand,
Or the bent-bearded slope of the land,
Whose base took its rest amid everlong motion
Of criss-crossing tides.

III

Soon from out of the Southward seemed nearing
A whirr, as of wings
Waved by mighty-vanned flies,
Or by night-moths of measureless size,
And in softness and smoothness well-nigh beyond hearing
Of corporal things.

IV

And they bore to the bluff, and alighted -
A dim-discerned train
O...

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Bereft

In the black winter morning
No light will be struck near my eyes
While the clock in the stairway is warning
For five, when he used to rise.
Leave the door unbarred,
The clock unwound,
Make my lone bed hard -
Would 'twere underground!

When the summer dawns clearly,
And the appletree-tops seem alight,
Who will undraw the curtain and cheerly
Call out that the morning is bright?

When I tarry at market
No form will cross Durnover Lea
In the gathering darkness, to hark at
Grey's Bridge for the pit-pat o' me.

When the supper crock's steaming,
And the time is the time of his tread,
I shall sit by the fire and wait dreaming
In a silence as of the dead.
Leave the door unbarred,
The clock unwound,
Make my lone bed hard -

Thomas Hardy

The Going

Why did you give no hint that night
That quickly after the morrow's dawn,
And calmly, as if indifferent quite,
You would close your term here, up and be gone
    Where I could not follow
    With wing of swallow
To gain one glimpse of you ever anon!

    Never to bid good-bye,
    Or give me the softest call,
Or utter a wish for a word, while I
Saw morning harden upon the wall,
    Unmoved, unknowing
    That your great going
Had place that moment, and altered all.

Why do you make me leave the house
And think for a breath it is you I see
At the end of the alley of bending boughs
Where so often at dusk you used to be;
    Till in darkening dankness
    The yawning blankness
Of the perspective sickens me!

    You were sh...

Thomas Hardy

In Front Of The Landscape

Plunging and labouring on in a tide of visions,
    Dolorous and dear,
Forward I pushed my way as amid waste waters
    Stretching around,
Through whose eddies there glimmered the customed landscape
    Yonder and near,

Blotted to feeble mist. And the coomb and the upland
    Foliage-crowned,
Ancient chalk-pit, milestone, rills in the grass-flat
    Stroked by the light,
Seemed but a ghost-like gauze, and no substantial
    Meadow or mound.

What were the infinite spectacles bulking foremost
    Under my sight,
Hindering me to discern my paced advancement
    Lengthening to miles;
What were the re-creations killing the daytime
    As by the night?

O they were speechful faces, gazing insistent,
    Some as with smiles,
Some ...

Thomas Hardy

A New Year's Eve In War Time

I

Phantasmal fears,
And the flap of the flame,
And the throb of the clock,
And a loosened slate,
And the blind night's drone,
Which tiredly the spectral pines intone!

II

And the blood in my ears
Strumming always the same,
And the gable-cock
With its fitful grate,
And myself, alone.

III

The twelfth hour nears
Hand-hid, as in shame;
I undo the lock,
And listen, and wait
For the Young Unknown.

IV

In the dark there careers -
As if Death astride came
To numb all with his knock -
A horse at mad rate
Over rut and stone.

V

No figure appears,
No call of my name,
No sound but "Tic-toc"
Without check. Past the gate
It clatters - is gone.

...

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The Five Students

The sparrow dips in his wheel-rut bath,
The sun grows passionate-eyed,
And boils the dew to smoke by the paddock-path;
As strenuously we stride, -
Five of us; dark He, fair He, dark She, fair She, I,
All beating by.

The air is shaken, the high-road hot,
Shadowless swoons the day,
The greens are sobered and cattle at rest; but not
We on our urgent way, -
Four of us; fair She, dark She, fair He, I, are there,
But one - elsewhere.

Autumn moulds the hard fruit mellow,
And forward still we press
Through moors, briar-meshed plantations, clay-pits yellow,
As in the spring hours - yes,
Three of us: fair He, fair She, I, as heretofore,
But - fallen one more.

The leaf drops: earthworms draw it in
At night-time noiselessly,
The finge...

Thomas Hardy