Memorials Of A Tour On The Continent, 1820 - III. - Bruges

The Spirit of Antiquity, enshrined
In sumptuous buildings, vocal in sweet song,
In picture, speaking with heroic tongue,
And with devout solemnities entwined,
Mounts to the seat of grace within the mind:
Hence Forms that glide with swan-like ease along,
Hence motions, even amid the vulgar throng,
To an harmonious decency confined:
As if the streets were consecrated ground,
The city one vast temple, dedicate
To mutual respect in thought and deed;
To leisure, to forbearances sedate;
To social cares from jarring passions freed;
A deeper peace than that in deserts found!

William Wordsworth

William Wordsworth was a major English Romantic poet who, with Samuel Taylor Coleridge, helped launch the Romantic Age in English literature with their joint publication 'Lyrical Ballads' in 1798. Born on April 7, 1770, Wordsworth's works are noted for their emphasis on the beauty of nature, the importance of emotion, and the value of the individual. His most famous work, 'The Prelude', is considered to be his masterpiece, which is a semi-autobiographical poem that he revised throughout his life.

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Memorials Of A Tour On The Continent, 1820 - II. - Bruges

Bruges I saw attired with golden light
(Streamed from the west) as with a robe of power:
The splendour fled; and now the sunless hour,
That, slowly making way for peaceful night,
Best suits with fallen grandeur, to my sight
Offers the beauty, the magnificence,
And sober graces, left her for defense
Against the injuries of time, the spite
Of fortune, and the desolating storms
Of future war. Advance not, spare to hide,
O gentle Power of darkness! these mild hues;
Obscure not yet these silent avenues
Of stateliest architecture, where the Forms
Of nun-like females, with soft motion, glide!

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - V. - Between Namur And Liege

What lovelier home could gentle Fancy choose?
Is this the stream, whose cities, heights, and plains,
War's favourite playground, are with crimson stains
Familiar, as the Morn with pearly dews?
The Morn, that now, along the silver Meuse,
Spreading her peaceful ensigns, calls the swains
To tend their silent boats and ringing wains,
Or strip the bough whose mellow fruit bestrews
The ripening corn beneath it. As mine eyes
Turn from the fortified and threatening hill,
How sweet the prospect of yon watery glade,
With its grey rocks clustering in pensive shade
That, shaped like old monastic turrets, rise
From the smooth meadow-ground, serene and still!

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - XIV. - Composed In One Of The Catholic Cantons

Doomed as we are our native dust
To wet with many a bitter shower,
It ill befits us to disdain
The altar, to deride the fane,
Where simple Sufferers bend, in trust
To win a happier hour.

I love, where spreads the village lawn,
Upon some knee-worn cell to gaze:
Hail to the firm unmoving cross,
Aloft, where pines their branches toss!
And to the chapel far withdrawn,
That lurks by lonely ways!

Where'er we roam, along the brink
Of Rhine, or by the sweeping Po,
Through Alpine vale, or champain wide,
Whate'er we look on, at our side
Be Charity! to bid us think,
And feel, if we would know.

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - Dedication

Dear Fellow-travellers! think not that the Muse,
To You presenting these memorial Lays,
Can hope the general eye thereon would gaze,
As on a mirror that gives back the hues
Of living Nature; no, though free to choose
The greenest bowers, the most inviting ways,
The fairest landscapes and the brightest days,
Her skill she tried with less ambitious views.
For You she wrought: Ye only can supply
The life, the truth, the beauty: she confides
In that enjoyment which with You abides,
Trusts to your love and vivid memory;
Thus far contented, that for You her verse
Shall lack not power the "meeting soul to pierce!"
W. WORDSWORTH.
RYDAL MOUNT, Nov. 1821.

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - XI. - On Approaching The Staub-Bach, Lauterbrunnen

Uttered by whom, or how inspired designed
For what strange service, does this concert reach
Our ears, and near the dwellings of mankind!
'Mid fields familiarized to human speech?
No Mermaid's warble to allay the wind
Driving some vessel toward a dangerous beach,
More thrilling melodies; Witch answering Witch,
To chant a love-spell, never intertwined
Notes shrill and wild with art more musical:
Alas! that from the lips of abject Want
Or Idleness in tatters mendicant
The strain should flow, free Fancy to enthrall,
And with regret and useless pity haunt
This bold, this bright, this sky-born, waterfall!

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - VI. - Aix-La-Chapelle

Was it to disenchant, and to undo,
That we approached the Seat of Charlemaine?
To sweep from many an old romantic strain
That faith which no devotion may renew!
Why does this puny Church present to view
Her feeble columns? and that scanty chair!
This sword that one of our weak times might wear!
Objects of false pretense, or meanly true!
If from a traveler's fortune I might claim
A palpable memorial of that day,
Then would I seek the Pyrenean Breach
That Roland clove with huge two-handed sway,
And to the enormous labour left his name,
Where unremitting frosts the rocky crescent bleach.

William Wordsworth