Memorials Of A Tour On The Continent, 1820 - XI. - On Approaching The Staub-Bach, Lauterbrunnen

Uttered by whom, or how inspired designed
For what strange service, does this concert reach
Our ears, and near the dwellings of mankind!
'Mid fields familiarized to human speech?
No Mermaid's warble to allay the wind
Driving some vessel toward a dangerous beach,
More thrilling melodies; Witch answering Witch,
To chant a love-spell, never intertwined
Notes shrill and wild with art more musical:
Alas! that from the lips of abject Want
Or Idleness in tatters mendicant
The strain should flow, free Fancy to enthrall,
And with regret and useless pity haunt
This bold, this bright, this sky-born, waterfall!

William Wordsworth

William Wordsworth was a major English Romantic poet who, with Samuel Taylor Coleridge, helped launch the Romantic Age in English literature with their joint publication 'Lyrical Ballads' in 1798. Born on April 7, 1770, Wordsworth's works are noted for their emphasis on the beauty of nature, the importance of emotion, and the value of the individual. His most famous work, 'The Prelude', is considered to be his masterpiece, which is a semi-autobiographical poem that he revised throughout his life.

William Wordsworth

THE Massy Ways, Carried Across These Heights

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William Wordsworth, Simple Poetry

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William Wordsworth, Simple Poetry

English

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Memorials Of A Tour On The Continent, 1820 - XIV. - Composed In One Of The Catholic Cantons

Doomed as we are our native dust
To wet with many a bitter shower,
It ill befits us to disdain
The altar, to deride the fane,
Where simple Sufferers bend, in trust
To win a happier hour.

I love, where spreads the village lawn,
Upon some knee-worn cell to gaze:
Hail to the firm unmoving cross,
Aloft, where pines their branches toss!
And to the chapel far withdrawn,
That lurks by lonely ways!

Where'er we roam, along the brink
Of Rhine, or by the sweeping Po,
Through Alpine vale, or champain wide,
Whate'er we look on, at our side
Be Charity! to bid us think,
And feel, if we would know.

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - XVI. - Scene On The Lake Of Brientz

"What know we of the Blest above
But that they sing and that they love?"
Yet, if they ever did inspire
A mortal hymn, or shaped the choir,
Now, where those harvest Damsels float
Homeward in their rugged Boat,
(While all the ruffling winds are fled
Each slumbering on some mountain's head)
Now, surely, hath that gracious aid
Been felt, that influence is displayed.
Pupils of Heaven, in order stand
The rustic Maidens, every hand
Upon a Sister's shoulder laid,
To chant, as glides the boat along,
A simple, but a touching, song;
To chant, as Angels do above,
The melodies of Peace in love!

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - XXXII. - Elegiac Stanzas

Lulled by the sound of pastoral bells,
Rude Nature's Pilgrims did we go,
From the dread summit of the Queen
Of mountains, through a deep ravine,
Where, in her holy chapel, dwells
"Our Lady of the Snow."

The sky was blue, the air was mild;
Free were the streams and green the bowers;
As if, to rough assaults unknown,
The genial spot had 'ever' shown
A countenance that as sweetly smiled
The face of summer-hours.

And we were gay, our hearts at ease;
With pleasure dancing through the frame
We journeyed; all we knew of care
Our path that straggled here and there;
Of trouble, but the fluttering breeze;
Of Winter, but a name.

If foresight could have rent the veil
Of three short days, but hush, no more!
Calm is the grave, and calme...

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - XXIX. - Stanzas - Composed In The Simplon Pass

Vallombrosa! I longed in thy shadiest wood
To slumber, reclined on the moss-covered floor,
To listen to Anio's precipitous flood,
When the stillness of evening hath deepened its roar;
To range through the Temples of Paestum, to muse
In Pompeii preserved by her burial in earth;
On pictures to gaze where they drank in their hues;
And murmur sweet songs on the ground of their birth.

The beauty of Florence, the grandeur of Rome,
Could I leave them unseen, and not yield to regret?
With a hope (and no more) for a season to come,
Which ne'er may discharge the magnificent debt?
Thou fortunate Region! whose Greatness inurned
Awoke to new life from its ashes and dust;
Twice-glorified fields! if in sadness I turned
From your infinite marvels, the sadness was just.
...

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - XXI. - On Hearing The "Ranz Des Vaches" On The Top Of The Pass Of St. Gothard

I listen, but no faculty of mine
Avails those modulations to detect,
Which, heard in foreign lands, the Swiss affect
With tenderest passion; leaving him to pine
(So fame reports) and die, his sweet-breathed kine
Remembering, and green Alpine pastures decked
With vernal flowers. Yet may we not reject
The tale as fabulous. Here while I recline,
Mindful how others by this simple Strain
Are moved, for me upon this Mountain named
Of God himself from dread pre-eminence,
Aspiring thoughts, by memory reclaimed,
Yield to the Music's touching influence;
And joys of distant home my heart enchain.

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - XXXVI. - At Dover

From the Pier's head, musing, and with increase
Of wonder, I have watched this sea-side Town,
Under the white cliff's battlemented crown,
Hushed to a depth of more than Sabbath peace:
The streets and quays are thronged, but why disown
Their natural utterance: whence this strange release
From social noise, silence elsewhere unknown?
A Spirit whispered, "Let all wonder cease;
Ocean's o'erpowering murmurs have set free
Thy sense from pressure of life's common din;
As the dread Voice that speaks from out the sea
Of God's eternal Word, the Voice of Time
Doth deaden, shocks of tumult, shrieks of crime,
The shouts of folly, and the groans of sin."

William Wordsworth