Memorials Of A Tour On The Continent, 1820 - XVI. - Scene On The Lake Of Brientz

"What know we of the Blest above
But that they sing and that they love?"
Yet, if they ever did inspire
A mortal hymn, or shaped the choir,
Now, where those harvest Damsels float
Homeward in their rugged Boat,
(While all the ruffling winds are fled
Each slumbering on some mountain's head)
Now, surely, hath that gracious aid
Been felt, that influence is displayed.
Pupils of Heaven, in order stand
The rustic Maidens, every hand
Upon a Sister's shoulder laid,
To chant, as glides the boat along,
A simple, but a touching, song;
To chant, as Angels do above,
The melodies of Peace in love!

William Wordsworth

William Wordsworth was a major English Romantic poet who, with Samuel Taylor Coleridge, helped launch the Romantic Age in English literature with their joint publication 'Lyrical Ballads' in 1798. Born on April 7, 1770, Wordsworth's works are noted for their emphasis on the beauty of nature, the importance of emotion, and the value of the individual. His most famous work, 'The Prelude', is considered to be his masterpiece, which is a semi-autobiographical poem that he revised throughout his life.

William Wordsworth

To ..........

William Wordsworth, Simple Poetry

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Ecclesiastical Sonnets - Part III. - XLI - New Churchyard

William Wordsworth, Simple Poetry

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Memorials Of A Tour On The Continent, 1820 - XI. - On Approaching The Staub-Bach, Lauterbrunnen

Uttered by whom, or how inspired designed
For what strange service, does this concert reach
Our ears, and near the dwellings of mankind!
'Mid fields familiarized to human speech?
No Mermaid's warble to allay the wind
Driving some vessel toward a dangerous beach,
More thrilling melodies; Witch answering Witch,
To chant a love-spell, never intertwined
Notes shrill and wild with art more musical:
Alas! that from the lips of abject Want
Or Idleness in tatters mendicant
The strain should flow, free Fancy to enthrall,
And with regret and useless pity haunt
This bold, this bright, this sky-born, waterfall!

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - XIV. - Composed In One Of The Catholic Cantons

Doomed as we are our native dust
To wet with many a bitter shower,
It ill befits us to disdain
The altar, to deride the fane,
Where simple Sufferers bend, in trust
To win a happier hour.

I love, where spreads the village lawn,
Upon some knee-worn cell to gaze:
Hail to the firm unmoving cross,
Aloft, where pines their branches toss!
And to the chapel far withdrawn,
That lurks by lonely ways!

Where'er we roam, along the brink
Of Rhine, or by the sweeping Po,
Through Alpine vale, or champain wide,
Whate'er we look on, at our side
Be Charity! to bid us think,
And feel, if we would know.

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - XXXII. - Elegiac Stanzas

Lulled by the sound of pastoral bells,
Rude Nature's Pilgrims did we go,
From the dread summit of the Queen
Of mountains, through a deep ravine,
Where, in her holy chapel, dwells
"Our Lady of the Snow."

The sky was blue, the air was mild;
Free were the streams and green the bowers;
As if, to rough assaults unknown,
The genial spot had 'ever' shown
A countenance that as sweetly smiled
The face of summer-hours.

And we were gay, our hearts at ease;
With pleasure dancing through the frame
We journeyed; all we knew of care
Our path that straggled here and there;
Of trouble, but the fluttering breeze;
Of Winter, but a name.

If foresight could have rent the veil
Of three short days, but hush, no more!
Calm is the grave, and calme...

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - XXVII. - The Three Cottage Girls

I

How blest the Maid whose heart, yet free
From Love's uneasy sovereignty
Beats with a fancy running high,
Her simple cares to magnify;
Whom Labour, never urged to toil,
Hath cherished on a healthful soil;
Who knows not pomp, who heeds not pelf;
Whose heaviest sin it is to look
Askance upon her pretty Self
Reflected in some crystal brook;
Whom grief hath spared, who sheds no tear
But in sweet pity; and can hear
Another's praise from envy clear.

II

Such (but O lavish Nature! why
That dark unfathomable eye,
Where lurks a Spirit that replies
To stillest mood of softest skies,
Yet hints at peace to be o'erthrown,
Another's first, and then her own?)
Such, haply, yon Italian Maid,
Our Lady's laggard Votaress,
Halt...

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - V. - Between Namur And Liege

What lovelier home could gentle Fancy choose?
Is this the stream, whose cities, heights, and plains,
War's favourite playground, are with crimson stains
Familiar, as the Morn with pearly dews?
The Morn, that now, along the silver Meuse,
Spreading her peaceful ensigns, calls the swains
To tend their silent boats and ringing wains,
Or strip the bough whose mellow fruit bestrews
The ripening corn beneath it. As mine eyes
Turn from the fortified and threatening hill,
How sweet the prospect of yon watery glade,
With its grey rocks clustering in pensive shade
That, shaped like old monastic turrets, rise
From the smooth meadow-ground, serene and still!

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - XXIX. - Stanzas - Composed In The Simplon Pass

Vallombrosa! I longed in thy shadiest wood
To slumber, reclined on the moss-covered floor,
To listen to Anio's precipitous flood,
When the stillness of evening hath deepened its roar;
To range through the Temples of Paestum, to muse
In Pompeii preserved by her burial in earth;
On pictures to gaze where they drank in their hues;
And murmur sweet songs on the ground of their birth.

The beauty of Florence, the grandeur of Rome,
Could I leave them unseen, and not yield to regret?
With a hope (and no more) for a season to come,
Which ne'er may discharge the magnificent debt?
Thou fortunate Region! whose Greatness inurned
Awoke to new life from its ashes and dust;
Twice-glorified fields! if in sadness I turned
From your infinite marvels, the sadness was just.
...

William Wordsworth