Memorials Of A Tour On The Continent, 1820 - XII. - The Fall Of The Aar - Handec

From the fierce aspect of this River, throwing
His giant body o'er the steep rock's brink,
Back in astonishment and fear we shrink:
But, gradually a calmer look bestowing,
Flowers we espy beside the torrent growing;
Flowers that peep forth from many a cleft and chink,
And, from the whirlwind of his anger, drink
Hues ever fresh, in rocky fortress blowing:
They suck from breath that, threatening to destroy,
Is more benignant than the dewy eve
Beauty, and life, and motions as of joy:
Nor doubt but He to whom yon Pine-trees nod
Their heads in sign of worship, Nature's God,
These humbler adorations will receive.

William Wordsworth

William Wordsworth was a major English Romantic poet who, with Samuel Taylor Coleridge, helped launch the Romantic Age in English literature with their joint publication 'Lyrical Ballads' in 1798. Born on April 7, 1770, Wordsworth's works are noted for their emphasis on the beauty of nature, the importance of emotion, and the value of the individual. His most famous work, 'The Prelude', is considered to be his masterpiece, which is a semi-autobiographical poem that he revised throughout his life.

William Wordsworth

The Daffodils

William Wordsworth, Simple Poetry

With Ships The Sea Was Sprinkled Far And Nigh

William Wordsworth, Simple Poetry

To The River Derwent

William Wordsworth, Simple Poetry

A Parsonage In Oxfordshire

William Wordsworth, Simple Poetry

English

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Memorials Of A Tour On The Continent, 1820 - VIII. - In A Carriage, Upon The Banks Of The Rhine

Amid this dance of objects sadness steals
O'er the defrauded heart while sweeping by,
As in a fit of Thespian jollity,
Beneath her vine-leaf crown the green Earth reels:
Backward, in rapid evanescence, wheels
The venerable pageantry of Time,
Each beetling rampart, and each tower sublime,
And what the Dell unwillingly reveals
Of lurking cloistral arch, through trees espied
Near the bright River's edge. Yet why repine?
To muse, to creep, to halt at will, to gaze
Such sweet wayfaring of life's spring the pride,
Her summer's faithful joy, 'that' still is mine,
And in fit measure cheers autumnal days.

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - XIV. - Composed In One Of The Catholic Cantons

Doomed as we are our native dust
To wet with many a bitter shower,
It ill befits us to disdain
The altar, to deride the fane,
Where simple Sufferers bend, in trust
To win a happier hour.

I love, where spreads the village lawn,
Upon some knee-worn cell to gaze:
Hail to the firm unmoving cross,
Aloft, where pines their branches toss!
And to the chapel far withdrawn,
That lurks by lonely ways!

Where'er we roam, along the brink
Of Rhine, or by the sweeping Po,
Through Alpine vale, or champain wide,
Whate'er we look on, at our side
Be Charity! to bid us think,
And feel, if we would know.

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - XIX. - Effusion

In Presence Of The Painted Tower Of Tell, At Altorf.


What though the Italian pencil wrought not here,
Nor such fine skill as did the meed bestow
On Marathonian valour, yet the tear
Springs forth in presence of this gaudy show,
While narrow cares their limits overflow.
Thrice happy, burghers, peasants, warriors old,
Infants in arms, and ye, that as ye go
Homeward or schoolward, ape what ye behold!
Heroes before your time, in frolic fancy bold!

And when that calm Spectatress from on high
Looks down the bright and solitary Moon,
Who never gazes but to beautify;
And snow-fed torrents, which the blaze of noon
Roused into fury, murmur a soft tune
That fosters peace, and gentleness recalls;
'Then' might the passing Monk receive a boon
Of saintl...

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - IV. - After Visiting The Field Of Waterloo

A winged Goddess, clothed in vesture wrought
Of rainbow colours; One whose port was bold,
Whose overburthened hand could scarcely hold
The glittering crowns and garlands which it brought
Hovered in air above the far-famed Spot.
She vanished; leaving prospect blank and cold
Of wind-swept corn that wide around us rolled
In dreary billows; wood, and meagre cot,
And monuments that soon must disappear:
Yet a dread local recompense we found;
While glory seemed betrayed, while patriot-zeal
Sank in our hearts, we felt as men 'should' feel
With such vast hoards of hidden carnage near,
And horror breathing from the silent ground!

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - XI. - On Approaching The Staub-Bach, Lauterbrunnen

Uttered by whom, or how inspired designed
For what strange service, does this concert reach
Our ears, and near the dwellings of mankind!
'Mid fields familiarized to human speech?
No Mermaid's warble to allay the wind
Driving some vessel toward a dangerous beach,
More thrilling melodies; Witch answering Witch,
To chant a love-spell, never intertwined
Notes shrill and wild with art more musical:
Alas! that from the lips of abject Want
Or Idleness in tatters mendicant
The strain should flow, free Fancy to enthrall,
And with regret and useless pity haunt
This bold, this bright, this sky-born, waterfall!

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - XXXIII. - Sky-Prospect - From The Plain Of France

Lo! in the burning west, the craggy nape
Of a proud Ararat! and, thereupon,
The Ark, her melancholy voyage done!
Yon rampant cloud mimics a lion's shape;
There, combats a huge crocodile agape
A golden spear to swallow! and that brown
And massy grove, so near yon blazing town,
Stirs and recedes, destruction to escape!
Yet all is harmless, as the Elysian shades
Where Spirits dwell in undisturbed repose
Silently disappears, or quickly fades:
Meek Nature's evening comment on the shows
That for oblivion take their daily birth
From all the fuming vanities of Earth!

William Wordsworth