Memorials Of A Tour On The Continent, 1820 - XIII. - Memorial

Near The Outlet Of The Lake Of Thun

"Dem

Andenken

Meines Freundes

Aloys Reding

MDCCCXVIII."



Around a wild and woody hill
A gravelled pathway treading,
We reached a votive Stone that bears
The name of Aloys Reding.

Well judged the Friend who placed it there
For silence and protection;
And haply with a finer care
Of dutiful affection.

The Sun regards it from the West;
And, while in summer glory
He sets, his sinking yields a type
Of that pathetic story:

And oft he tempts the patriot Swiss
Amid the grove to linger;
Till all is dim, save this bright Stone
Touched by his golden finger.

William Wordsworth

William Wordsworth was a major English Romantic poet who, with Samuel Taylor Coleridge, helped launch the Romantic Age in English literature with their joint publication 'Lyrical Ballads' in 1798. Born on April 7, 1770, Wordsworth's works are noted for their emphasis on the beauty of nature, the importance of emotion, and the value of the individual. His most famous work, 'The Prelude', is considered to be his masterpiece, which is a semi-autobiographical poem that he revised throughout his life.

William Wordsworth

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Memorials Of A Tour On The Continent, 1820 - XIV. - Composed In One Of The Catholic Cantons

Doomed as we are our native dust
To wet with many a bitter shower,
It ill befits us to disdain
The altar, to deride the fane,
Where simple Sufferers bend, in trust
To win a happier hour.

I love, where spreads the village lawn,
Upon some knee-worn cell to gaze:
Hail to the firm unmoving cross,
Aloft, where pines their branches toss!
And to the chapel far withdrawn,
That lurks by lonely ways!

Where'er we roam, along the brink
Of Rhine, or by the sweeping Po,
Through Alpine vale, or champain wide,
Whate'er we look on, at our side
Be Charity! to bid us think,
And feel, if we would know.

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Memorials Of A Tour On The Continent, 1820 - XXIII. - The Church Of San Salvador

Seen From The Lake Of Lugano


Thou sacred Pile! whose turrets rise
From yon steep mountain's loftiest stage,
Guarded by lone San Salvador;
Sink (if thou must) as heretofore,
To sulphurous bolts a sacrifice,
But ne'er to human rage!

On Horeb's top, on Sinai, deigned
To rest the universal Lord:
Why leap the fountains from their cells
Where everlasting Bounty dwells?
That, while the Creature is sustained,
His God may be adored.

Cliffs, fountains, rivers, seasons, times
Let all remind the soul of heaven;
Our slack devotion needs them all;
And Faith, so oft of sense the thrall,
While she, by aid of Nature, climbs
May hope to be forgiven.

Glory, and patriotic Love,
And all the Pomps of this frail "spot
Which men ...

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - Dedication

Dear Fellow-travellers! think not that the Muse,
To You presenting these memorial Lays,
Can hope the general eye thereon would gaze,
As on a mirror that gives back the hues
Of living Nature; no, though free to choose
The greenest bowers, the most inviting ways,
The fairest landscapes and the brightest days,
Her skill she tried with less ambitious views.
For You she wrought: Ye only can supply
The life, the truth, the beauty: she confides
In that enjoyment which with You abides,
Trusts to your love and vivid memory;
Thus far contented, that for You her verse
Shall lack not power the "meeting soul to pierce!"
W. WORDSWORTH.
RYDAL MOUNT, Nov. 1821.

William Wordsworth

Memorials Of A Tour On The Continent, 1820 - XXXII. - Elegiac Stanzas

Lulled by the sound of pastoral bells,
Rude Nature's Pilgrims did we go,
From the dread summit of the Queen
Of mountains, through a deep ravine,
Where, in her holy chapel, dwells
"Our Lady of the Snow."

The sky was blue, the air was mild;
Free were the streams and green the bowers;
As if, to rough assaults unknown,
The genial spot had 'ever' shown
A countenance that as sweetly smiled
The face of summer-hours.

And we were gay, our hearts at ease;
With pleasure dancing through the frame
We journeyed; all we knew of care
Our path that straggled here and there;
Of trouble, but the fluttering breeze;
Of Winter, but a name.

If foresight could have rent the veil
Of three short days, but hush, no more!
Calm is the grave, and calme...

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Memorials Of A Tour On The Continent, 1820 - XI. - On Approaching The Staub-Bach, Lauterbrunnen

Uttered by whom, or how inspired designed
For what strange service, does this concert reach
Our ears, and near the dwellings of mankind!
'Mid fields familiarized to human speech?
No Mermaid's warble to allay the wind
Driving some vessel toward a dangerous beach,
More thrilling melodies; Witch answering Witch,
To chant a love-spell, never intertwined
Notes shrill and wild with art more musical:
Alas! that from the lips of abject Want
Or Idleness in tatters mendicant
The strain should flow, free Fancy to enthrall,
And with regret and useless pity haunt
This bold, this bright, this sky-born, waterfall!

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Memorials Of A Tour On The Continent, 1820 - V. - Between Namur And Liege

What lovelier home could gentle Fancy choose?
Is this the stream, whose cities, heights, and plains,
War's favourite playground, are with crimson stains
Familiar, as the Morn with pearly dews?
The Morn, that now, along the silver Meuse,
Spreading her peaceful ensigns, calls the swains
To tend their silent boats and ringing wains,
Or strip the bough whose mellow fruit bestrews
The ripening corn beneath it. As mine eyes
Turn from the fortified and threatening hill,
How sweet the prospect of yon watery glade,
With its grey rocks clustering in pensive shade
That, shaped like old monastic turrets, rise
From the smooth meadow-ground, serene and still!

William Wordsworth