On A Heath

I could hear a gown-skirt rustling
Before I could see her shape,
Rustling through the heather
That wove the common's drape,
On that evening of dark weather
When I hearkened, lips agape.

And the town-shine in the distance
Did but baffle here the sight,
And then a voice flew forward:
Dear, is't you? I fear the night!"
And the herons flapped to norward
In the firs upon my right.

There was another looming
Whose life we did not see;
There was one stilly blooming
Full nigh to where walked we;
There was a shade entombing
All that was bright of me.

Thomas Hardy

Thomas Hardy (1840-1928) was an English novelist and poet. Born in Dorset, his works often featured the semi-fictional region of Wessex. Hardy was initially trained as an architect, but he later pursued writing full-time. His novels, including 'Tess of the d'Urbervilles,' 'Far from the Madding Crowd,' and 'Jude the Obscure,' are known for their critical portrayal of Victorian society and its mores. As a poet, he is recognized for his explorations of human suffering and the indifferent forces of nature. Hardy's legacy is profound, influencing both literature and criticism.

Thomas Hardy

Drawing Details In An Old Church

Thomas Hardy, Simple Poetry

The Last Time

Thomas Hardy, Simple Poetry

Afternoon Service At Mellstock

Thomas Hardy, Simple Poetry

Rome: On The Palatine

Thomas Hardy, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Epeisodia

I

Past the hills that peep
Where the leaze is smiling,
On and on beguiling
Crisply-cropping sheep;
Under boughs of brushwood
Linking tree and tree
In a shade of lushwood,
There caressed we!

II

Hemmed by city walls
That outshut the sunlight,
In a foggy dun light,
Where the footstep falls
With a pit-pat wearisome
In its cadency
On the flagstones drearisome
There pressed we!

III

Where in wild-winged crowds
Blown birds show their whiteness
Up against the lightness
Of the clammy clouds;
By the random river
Pushing to the sea,
Under bents that quiver
There rest we.

Thomas Hardy

The Rambler

I do not see the hills around,
Nor mark the tints the copses wear;
I do not note the grassy ground
And constellated daisies there.

I hear not the contralto note
Of cuckoos hid on either hand,
The whirr that shakes the nighthawk's throat
When eve's brown awning hoods the land.

Some say each songster, tree, and mead -
All eloquent of love divine -
Receives their constant careful heed:
Such keen appraisement is not mine.

The tones around me that I hear,
The aspects, meanings, shapes I see,
Are those far back ones missed when near,
And now perceived too late by me!

Thomas Hardy

The Darkling Thrush

I leant upon a coppice gate
When Frost was spectre-gray,
And Winter's dregs made desolate
The weakening eye of day.
The tangled bine-stems scored the sky
Like strings from broken lyres,
And all mankind that haunted nigh
Had sought their household fires.

The land's sharp features seemed to be
The Century's corpse outleant,
His crypt the cloudy canopy,
The wind his death-lament.
The ancient pulse of germ and birth
Was shrunken hard and dry,
And every spirit upon earth
Seemed fervourless as I.

At once a voice outburst among
The bleak twigs overhead
In a full-hearted evensong
Of joy illimited;
An aged thrush, frail, gaunt, and small,
In blast-beruffled plume,
Had chosen thus to fling his soul
Upon the growing gloom.

Thomas Hardy

A Man Was Drawing Near To Me

On that gray night of mournful drone,
A part from aught to hear, to see,
I dreamt not that from shires unknown
In gloom, alone,
By Halworthy,
A man was drawing near to me.

I'd no concern at anything,
No sense of coming pull-heart play;
Yet, under the silent outspreading
Of even's wing
Where Otterham lay,
A man was riding up my way.

I thought of nobody not of one,
But only of trifles legends, ghosts
Though, on the moorland dim and dun
That travellers shun
About these coasts,
The man had passed Tresparret Posts.

There was no light at all inland,
Only the seaward pharos-fire,
Nothing to let me understand
That hard at hand
By Hennett Byre
The man was getting nigh and nigher.

There was a rumble at the ...

Thomas Hardy

On Stinsford Hill At Midnight

I glimpsed a woman's muslined form
Sing-songing airily
Against the moon; and still she sang,
And took no heed of me.

Another trice, and I beheld
What first I had not scanned,
That now and then she tapped and shook
A timbrel in her hand.

So late the hour, so white her drape,
So strange the look it lent
To that blank hill, I could not guess
What phantastry it meant.

Then burst I forth: "Why such from you?
Are you so happy now?"
Her voice swam on; nor did she show
Thought of me anyhow.

I called again: "Come nearer; much
That kind of note I need!"
The song kept softening, loudening on,
In placid calm unheed.

"What home is yours now?" then I said;
"You seem to have no care."
But the wild wavering tune went...

Thomas Hardy

On A Midsummer Eve

I idly cut a parsley stalk,
And blew therein towards the moon;
I had not thought what ghosts would walk
With shivering footsteps to my tune.

I went, and knelt, and scooped my hand
As if to drink, into the brook,
And a faint figure seemed to stand
Above me, with the bygone look.

I lipped rough rhymes of chance, not choice,
I thought not what my words might be;
There came into my ear a voice
That turned a tenderer verse for me.

Thomas Hardy