Epeisodia

I

Past the hills that peep
Where the leaze is smiling,
On and on beguiling
Crisply-cropping sheep;
Under boughs of brushwood
Linking tree and tree
In a shade of lushwood,
There caressed we!

II

Hemmed by city walls
That outshut the sunlight,
In a foggy dun light,
Where the footstep falls
With a pit-pat wearisome
In its cadency
On the flagstones drearisome
There pressed we!

III

Where in wild-winged crowds
Blown birds show their whiteness
Up against the lightness
Of the clammy clouds;
By the random river
Pushing to the sea,
Under bents that quiver
There rest we.

Thomas Hardy

Thomas Hardy (1840-1928) was an English novelist and poet. Born in Dorset, his works often featured the semi-fictional region of Wessex. Hardy was initially trained as an architect, but he later pursued writing full-time. His novels, including 'Tess of the d'Urbervilles,' 'Far from the Madding Crowd,' and 'Jude the Obscure,' are known for their critical portrayal of Victorian society and its mores. As a poet, he is recognized for his explorations of human suffering and the indifferent forces of nature. Hardy's legacy is profound, influencing both literature and criticism.

Thomas Hardy

St. Launce's Revisited

Thomas Hardy, Simple Poetry

The Five Students

Thomas Hardy, Simple Poetry

Lines To A Movement In Mozart's E-Flat Symphony

Thomas Hardy, Simple Poetry

Friends Beyond

Thomas Hardy, Simple Poetry

English

Suggested Poems

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In Front Of The Landscape

Plunging and labouring on in a tide of visions,
    Dolorous and dear,
Forward I pushed my way as amid waste waters
    Stretching around,
Through whose eddies there glimmered the customed landscape
    Yonder and near,

Blotted to feeble mist. And the coomb and the upland
    Foliage-crowned,
Ancient chalk-pit, milestone, rills in the grass-flat
    Stroked by the light,
Seemed but a ghost-like gauze, and no substantial
    Meadow or mound.

What were the infinite spectacles bulking foremost
    Under my sight,
Hindering me to discern my paced advancement
    Lengthening to miles;
What were the re-creations killing the daytime
    As by the night?

O they were speechful faces, gazing insistent,
    Some as with smiles,
Some ...

Thomas Hardy

On A Heath

I could hear a gown-skirt rustling
Before I could see her shape,
Rustling through the heather
That wove the common's drape,
On that evening of dark weather
When I hearkened, lips agape.

And the town-shine in the distance
Did but baffle here the sight,
And then a voice flew forward:
Dear, is't you? I fear the night!"
And the herons flapped to norward
In the firs upon my right.

There was another looming
Whose life we did not see;
There was one stilly blooming
Full nigh to where walked we;
There was a shade entombing
All that was bright of me.

Thomas Hardy

Weathers

I

This is the weather the cuckoo likes,
And so do I;
When showers betumble the chestnut spikes,
And nestlings fly:
And the little brown nightingale bills his best,
And they sit outside at "The Travellers' Rest,"
And maids come forth sprig-muslin drest,
And citizens dream of the south and west,
And so do I.

II

This is the weather the shepherd shuns,
And so do I;
When beeches drip in browns and duns,
And thresh, and ply;
And hill-hid tides throb, throe on throe,
And meadow rivulets overflow,
And drops on gate-bars hang in a row,
And rooks in families homeward go,
And so do I.

Thomas Hardy

On The Way

The trees fret fitfully and twist,
Shutters rattle and carpets heave,
Slime is the dust of yestereve,
And in the streaming mist
Fishes might seem to fin a passage if they list.

But to his feet,
Drawing nigh and nigher
A hidden seat,
The fog is sweet
And the wind a lyre.

A vacant sameness grays the sky,
A moisture gathers on each knop
Of the bramble, rounding to a drop,
That greets the goer-by
With the cold listless lustre of a dead man's eye.

But to her sight,
Drawing nigh and nigher
Its deep delight,
The fog is bright
And the wind a lyre.

Thomas Hardy

Meditations On A Holiday (A New Theme To An Old Folk-Jingle)

'Tis May morning,
All-adorning,
No cloud warning
Of rain to-day.
Where shall I go to,
Go to, go to? -
Can I say No to
Lyonnesse-way?

Well what reason
Now at this season
Is there for treason
To other shrines?
Tristram is not there,
Isolt forgot there,
New eras blot there
Sought-for signs!

Stratford-on-Avon -
Poesy-paven -
I'll find a haven
There, somehow! -
Nay I'm but caught of
Dreams long thought of,
The Swan knows nought of
His Avon now!

What shall it be, then,
I go to see, then,
Under the plea, then,
Of votary?
I'll go to Lakeland,
Lakeland, Lakeland,
Certainly Lakeland
Let it be.

But why to that place,
That place, that place,
Such a hard come-a...

Thomas Hardy

Where They Lived

Dishevelled leaves creep down
Upon that bank to-day,
Some green, some yellow, and some pale brown;
The wet bents bob and sway;
The once warm slippery turf is sodden
Where we laughingly sat or lay.

The summerhouse is gone,
Leaving a weedy space;
The bushes that veiled it once have grown
Gaunt trees that interlace,
Through whose lank limbs I see too clearly
The nakedness of the place.

And where were hills of blue,
Blind drifts of vapour blow,
And the names of former dwellers few,
If any, people know,
And instead of a voice that called, "Come in, Dears,"
Time calls, "Pass below!"

Thomas Hardy