Song.

Why does azure deck the sky?
    'Tis to be like thy looks of blue.
Why is red the rose's dye?
    Because it is thy blushes' hue.
All that's fair, by Love's decree,
    Has been made resembling thee!

Why is falling snow so white,
    But to be like thy bosom fair!
Why are solar beams so bright?
    That they may seem thy golden hair!
All that's bright, by Love's decree,
Has been made resembling thee!

Why are nature's beauties felt?
Oh! 'tis thine in her we see!
Why has music power to melt?
Oh! because it speaks like thee.
All that's sweet, by Love's decree,
Has been made resembling thee!

Thomas Moore

Thomas Moore was an Irish poet, singer, and songwriter, celebrated for his Irish Melodies, which are now considered a staple of Irish cultural heritage. Born on May 28, 1779, in Dublin, Ireland, Moore gained fame for his lyrical songs, many of which were set to traditional Irish tunes. Not only a poet, but he was also a staunch advocate of Irish nationalism, often incorporating themes of national identity and resistance into his work. Moore's influential collection 'Irish Melodies' became popular in both Ireland and Britain and helped to define the literary output of the era. He passed away on February 25, 1852, but his legacy in Irish literature and music endures.

Thomas Moore

To The Fire-Fly.[1]

Thomas Moore, Simple Poetry

Song. Fanny, Dearest.

Thomas Moore, Simple Poetry

They May Rail At This Life.

Thomas Moore, Simple Poetry

Those Evening Bells. (Air.--The Bells Of St. Petersburgh.)

Thomas Moore, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

To Caroline, Viscountess Valletort.

WRITTEN AT LACOCK ABBEY, JANUARY, 1832.


When I would sing thy beauty's light,
Such various forms, and all so bright,
I've seen thee, from thy childhood, wear,
I know not which to call most fair,
Nor 'mong the countless charms that spring
For ever round thee, which to sing.

    When I would paint thee as thou art,
Then all thou wert comes o'er my heart--
The graceful child in Beauty's dawn
Within the nursery's shade withdrawn,
Or peeping out--like a young moon
Upon a world 'twill brighten soon.
Then next in girlhood's blushing hour,
As from thy own loved Abbey-tower
I've seen thee look, all radiant, down,
With smiles that to the hoary frown
Of centuries round thee lent a ray,
Chasing even Age's gloom away;--

Thomas Moore

Beauty And Song.

Down in yon summer vale,
    Where the rill flows.
Thus said a Nightingale
    To his loved Rose:--
"Tho' rich the pleasures
"Of song's sweet measures,
"Vain were its melody,
"Rose, without thee."

Then from the green recess
    Of her night-bower,
Beaming with bashfulness,
    Spoke the bright flower:--
"Tho' morn should lend her
"Its sunniest splendor,
"What would the Rose be,
"Unsung by thee?"

Thus still let Song attend
    Woman's bright way;
Thus still let woman lend
    Light to the lay.
Like stars thro' heaven's sea
Floating in harmony
Beauty should glide along
Circled by Song.

Thomas Moore

Nay, Tell Me Not, Dear.

Nay, tell me not, dear, that the goblet drowns
    One charm of feeling, one fond regret;
Believe me, a few of thy angry frowns
    Are all I've sunk in its bright wave yet.
        Ne'er hath a beam
        Been lost in the stream
    That ever was shed from thy form or soul;
        The spell of those eyes,
        The balm of thy sighs,
    Still float on the surface, and hallow my bowl,
Then fancy not, dearest, that wine can steal
    One blissful dream of the heart from me;
Like founts that awaken the pilgrim's zeal,
    The bowl but brightens my love for thee.

They tell us that love in his fairy bower,
    Had two blush-roses of birth divine;
He sprinkled the one with a rainbow shower,
    But bathed the other with mantling wine.
        ...

Thomas Moore

Odes Of Anacreon - Ode XVI.

^[1]


Thou, whose soft and rosy hues
Mimic form and soul infuse,
Best of painters, come portray
The lovely maid that's far away.
Far away, my soul! thou art,
But I've thy beauties all by heart.
Paint her jetty ringlets playing,
Silky locks, like tendrils straying;^[2]
And, if painting hath the skill
To make the spicy balm distil,
Let every little lock exhale
A sigh of perfume on the gale.
Where her tresses' curly flow
Darkles o'er the brow of snow,
Let her forehead beam to light,
Burnished as the ivory bright.
Let her eyebrows smoothly rise
In jetty arches o'er her eyes,
Each, a crescent gently gliding,
Just commingling, just dividing.

But, hast thou any sparkles warm,
The lightning of her eyes...

Thomas Moore

Song.

Think on that look whose melting ray
    For one sweet moment mixt with mine,
And for that moment seemed to say,
    "I dare not, or I would be thine!"

Think on thy every smile and glance,
    On all thou hast to charm and move;
And then forgive my bosom's trance,
    Nor tell me it is sin to love.

Oh, not to love thee were the sin;
    For sure, if Fate's decrees be done,
Thou, thou art destined still to win,
    As I am destined to be won!

Thomas Moore

To The Marchioness Dowager Of Donegall.

FROM BERMUDA, JANUARY, 1804.


Lady! where'er you roam, whatever land
Woos the bright touches of that artist hand;
Whether you sketch the valley's golden meads,
Where mazy Linth his lingering current leads;^[1]
Enamored catch the mellow hues that sleep,
At eve, on Meillerie's immortal steep;
Or musing o'er the Lake, at day's decline,
Mark the last shadow on that holy shrine,^[2]
Where, many a night, the shade of Tell complains
Of Gallia's triumph and Helvetia's chains;
Oh! lay the pencil for a moment by,
Turn from the canvas that creative eye,
And let its splendor, like the morning ray
Upon a shepherd's harp, illume my lay.

Yet, Lady, no--for song so rude as mine,
Chase not the wonders of your art divine;
Still, radiant...

Thomas Moore