Sonnet CLXXV.

Non dall' Ispano Ibero all' Indo Idaspe.

HIS WOES ARE UNEXAMPLED.


    From Spanish Ebro to Hydaspes old,
Exploring ocean in its every nook,
From the Red Sea to the cold Caspian shore,
In earth, in heaven one only Phoenix dwells.
What fortunate, or what disastrous bird
Omen'd my fate? which Parca winds my yarn,
That I alone find Pity deaf as asp,
And wretched live who happy hoped to be?
Let me not speak of her, but him her guide,
Who all her heart with love and sweetness fills--
Gifts which, from him o'erflowing, follow her,
Who, that my sweets may sour and cruel be,
Dissembleth, careth not, or will not see
That silver'd, ere my time, these temples are.

MACGREGOR.

Francesco Petrarca

Francesco Petrarca, commonly known as Petrarch, was an Italian scholar, poet, and early humanist during the Renaissance. He is often called the "Father of Humanism" and is best known for his Italian poetry, notably the Canzoniere, a collection of poems addressed to his idealized beloved Laura. Petrarch's works have influenced countless writers and helped shape the modern Italian language.

Francesco Petrarca

Sonnet CXIII.

Francesco Petrarca, Simple Poetry

Ballata III.

Francesco Petrarca, Simple Poetry

Canzone VII.

Francesco Petrarca, Simple Poetry

Sonnet CLXXX.

Francesco Petrarca, Simple Poetry

English

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Sonnet CXCIV.

I' piansi, or canto; che 'l celeste lume.

AT HER RETURN, HIS SORROWS VANISH.


    I wept, but now I sing; its heavenly light
That living sun conceals not from my view,
But virtuous love therein revealeth true
His holy purposes and precious might;
Whence, as his wont, such flood of sorrow springs
To shorten of my life the friendless course,
Nor bridge, nor ford, nor oar, nor sails have force
To forward mine escape, nor even wings.
But so profound and of so full a vein
My suff'ring is, so far its shore appears,
Scarcely to reach it can e'en thought contrive:
Nor palm, nor laurel pity prompts to gain,
But tranquil olive, and the dark sky clears,
And checks my grief and wills me to survive.

MACGREGOR.

Francesco Petrarca

Sonnet LXXV.

Io son dell' aspectar omai sì vinto.

HAVING ONCE SURRENDERED HIMSELF, HE IS COMPELLED EVER TO ENDURE THE PANGS OF LOVE.


    Weary with expectation's endless round,
And overcome in this long war of sighs,
I hold desires in hate and hopes despise,
And every tie wherewith my breast is bound;
But the bright face which in my heart profound
Is stamp'd, and seen where'er I turn mine eyes,
Compels me where, against my will, arise
The same sharp pains that first my ruin crown'd.
Then was my error when the old way quite
Of liberty was bann'd and barr'd to me:
He follows ill who pleases but his sight:
To its own harm my soul ran wild and free,
Now doom'd at others' will to wait and wend;
Because that once it ventured to offend.

MACGREGOR.

Francesco Petrarca

Sonnet CLXXXI.

Già desiai con sì giusta querela.

HE LIVES DESTITUTE OF ALL HOPE SAVE THAT OF RENDERING HER IMMORTAL.


    Erewhile I labour'd with complaint so true,
And in such fervid rhymes to make me heard,
Seem'd as at last some spark of pity stirr'd
In the hard heart which frost in summer knew.
Th' unfriendly cloud, whose cold veil o'er it grew,
Broke at the first breath of mine ardent word
Or low'ring still she others' blame incurr'd
Her bright and killing eyes who thus withdrew
No ruth for self I crave, for her no hate;
I wish not this--that passes power of mine:
Such was mine evil star and cruel fate.
But I shall ever sing her charms divine,
That, when I have resign'd this mortal breath,
The world may know how sweet to me was death.

Francesco Petrarca

Sonnet CXXXIII.

S' io fossi stato fermo alla spelunca.

TO ONE WHO DESIRED LATIN VERSE OF HIM.


    Still had I sojourn'd in that Delphic cave
Where young Apollo prophet first became,
Verona, Mantua were not sole in fame,
But Florence, too, her poet now might have:
But since the waters of that spring no more
Enrich my land, needs must that I pursue
Some other planet, and, with sickle new,
Reap from my field of sticks and thorns its store.
Dried is the olive: elsewhere turn'd the stream
Whose source from famed Parnassus was derived.
Whereby of yore it throve in best esteem.
Me fortune thus, or fault perchance, deprived
Of all good fruit--unless eternal Jove
Shower on my head some favour from above.

MACGREGOR.

Francesco Petrarca

Sonnet CLXXXV.

Qual mio destin, qual forza o qual inganno.

THOUGH HER EYES DESTROY HIM, HE CANNOT TEAR HIMSELF AWAY.


    What destiny of mine, what fraud or force,
Unarm'd again conducts me to the field,
Where never came I but with shame to yield
'Scape I or fall, which better is or worse?
--Not worse, but better; from so sweet a source
Shine in my heart those lights, so bright reveal'd
The fatal fire, e'en now as then, which seal'd
My doom, though twenty years have roll'd their course
I feel death's messengers when those dear eyes,
Dazzling me from afar, I see appear,
And if on me they turn as she draw near,
Love with such sweetness tempts me then and tries,
Tell it I cannot, nor recall in sooth,
For wit and language fail to reach the truth!

M...

Francesco Petrarca

Sonnet LXXXIV.

Non veggio ove scampar mi possa omai.

AFTER FIFTEEN YEARS HER EYES ARE MORE POWERFUL THAN AT FIRST.


    No hope of respite, of escape no way,
Her bright eyes wage such constant havoc here;
Alas! excess of tyranny, I fear,
My doting heart, which ne'er has truce, will slay:
Fain would I flee, but ah! their amorous ray,
Which day and night on memory rises clear,
Shines with such power, in this the fifteenth year,
They dazzle more than in love's early day.
So wide and far their images are spread
That wheresoe'er I turn I alway see
Her, or some sister-light on hers that fed.
Springs such a wood from one fair laurel tree,
That my old foe, with admirable skill,
Amid its boughs misleads me at his will.

MACGREGOR.

Francesco Petrarca