Sonnet CXCII.

Amor con la man destra il lato manco.

UNDER THE FIGURE OF A LAUREL, HE RELATES THE GROWTH OF HIS LOVE.


    My poor heart op'ning with his puissant hand,
Love planted there, as in its home, to dwell
A Laurel, green and bright, whose hues might well
In rivalry with proudest emeralds stand:
Plough'd by my pen and by my heart-sighs fann'd,
Cool'd by the soft rain from mine eyes that fell,
It grew in grace, upbreathing a sweet smell,
Unparallel'd in any age or land.
Fair fame, bright honour, virtue firm, rare grace,
The chastest beauty in celestial frame,--
These be the roots whence birth so noble came.
Such ever in my mind her form I trace,
A happy burden and a holy thing,
To which on rev'rent knee with loving prayer I cling.

MACGREGOR.

Francesco Petrarca

Francesco Petrarca, commonly known as Petrarch, was an Italian scholar, poet, and early humanist during the Renaissance. He is often called the "Father of Humanism" and is best known for his Italian poetry, notably the Canzoniere, a collection of poems addressed to his idealized beloved Laura. Petrarch's works have influenced countless writers and helped shape the modern Italian language.

Francesco Petrarca

Sonnet CXCVIII.

Francesco Petrarca, Simple Poetry

To Laura In Death. Sonnet XIX.

Francesco Petrarca, Simple Poetry

Sonnet VII.

Francesco Petrarca, Simple Poetry

Sonnet LXXVI.

Francesco Petrarca, Simple Poetry

English

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Sonnet CXL.

Mirando 'l sol de' begli occhi sereno.

THE SWEETS AND BITTERS OF LOVE.


    Marking of those bright eyes the sun serene
Where reigneth Love, who mine obscures and grieves,
My hopeless heart the weary spirit leaves
Once more to gain its paradise terrene;
Then, finding full of bitter-sweet the scene,
And in the world how vast the web it weaves.
A secret sigh for baffled love it heaves,
Whose spurs so sharp, whose curb so hard have been.
By these two contrary and mix'd extremes,
With frozen or with fiery wishes fraught,
To stand 'tween misery and bliss she seems:
Seldom in glad and oft in gloomy thought,
But mostly contrite for its bold emprize,
For of like seed like fruit must ever rise!

MACGREGOR.

Francesco Petrarca

Sonnet XLVI.

L' arbor gentil che forte amai molt' anni.

IMPRECATION AGAINST THE LAUREL.


    The graceful tree I loved so long and well,
Ere its fair boughs in scorn my flame declined,
Beneath its shade encouraged my poor mind
To bud and bloom, and 'mid its sorrow swell.
But now, my heart secure from such a spell,
Alas, from friendly it has grown unkind!
My thoughts entirely to one end confined,
Their painful sufferings how I still may tell.
What should he say, the sighing slave of love,
To whom my later rhymes gave hope of bliss,
Who for that laurel has lost all--but this?
May poet never pluck thee more, nor Jove
Exempt; but may the sun still hold in hate
On each green leaf till blight and blackness wait.

MACGREGOR.

Francesco Petrarca

Sonnet LI.

Del mar Tirreno alla sinistra riva.

THE FALL.


    Upon the left shore of the Tyrrhene sea,
Where, broken by the winds, the waves complain,
Sudden I saw that honour'd green again,
Written for whom so many a page must be:
Love, ever in my soul his flame who fed,
Drew me with memories of those tresses fair;
Whence, in a rivulet, which silent there
Through long grass stole, I fell, as one struck dead.
Lone as I was, 'mid hills of oak and fir,
I felt ashamed; to heart of gentle mould
Blushes suffice: nor needs it other spur.
'Tis well at least, breaking bad customs old,
To change from eyes to feet: from these so wet
By those if milder April should be met.

MACGREGOR.

Francesco Petrarca

Sonnet CXLV.

Amor mi sprona in un tempo ed affrena.

HE HEARS THE VOICE OF REASON, BUT CANNOT OBEY.


    Love in one instant spurs me and restrains,
Assures and frightens, freezes me and burns,
Smiles now and scowls, now summons me and spurns,
In hope now holds me, plunges now in pains:
Now high, now low, my weary heart he hurls,
Until fond passion loses quite the path,
And highest pleasure seems to stir but wrath--
My harass'd mind on such strange errors feeds!
A friendly thought there points the proper track,
Not of such grief as from the full eye breaks,
To go where soon it hopes to be at ease,
But, as if greater power thence turn'd it back,
Despite itself, another way it takes,
And to its own slow death and mine agrees.

MACGREGOR.

Francesco Petrarca

Sonnet CXXV.

Ove ch' i' posi gli occhi lassi o giri.

HER IMAGE IS EVER IN HIS HEART.


    Where'er I rest or turn my weary eyes,
To ease the longings which allure them still,
Love pictures my bright lady at his will,
That ever my desire may verdant rise.
Deep pity she with graceful grief applies--
Warm feelings ever gentle bosoms fill--
While captived equally my fond ears thrill
With her sweet accents and seraphic sighs.
Love and fair Truth were both allied to tell
The charms I saw were in the world alone,
That 'neath the stars their like was never known.
Nor ever words so dear and tender fell
On listening ear: nor tears so pure and bright
From such fine eyes e'er sparkled in the light.

MACGREGOR.

Francesco Petrarca

Sonnet CXLVIII.

Amor fra l' orbe una leggiadra rete.

HE COMPARES HIMSELF TO A BIRD CAUGHT IN A NET.


    Love 'mid the grass beneath a laurel green--
The plant divine which long my flame has fed,
Whose shade for me less bright than sad is seen--
A cunning net of gold and pearls had spread:
Its bait the seed he sows and reaps, I ween
Bitter and sweet, which I desire, yet dread:
Gentle and soft his call, as ne'er has been
Since first on Adam's eyes the day was shed:
And the bright light which disenthrones the sun
Was flashing round, and in her hand, more fair
Than snow or ivory, was the master rope.
So fell I in the snare; their slave so won
Her speech angelical and winning air,
Pleasure, and fond desire, and sanguine hope.

MACGREGOR.

Francesco Petrarca