Sonnet CXXV.

Ove ch' i' posi gli occhi lassi o giri.

HER IMAGE IS EVER IN HIS HEART.


    Where'er I rest or turn my weary eyes,
To ease the longings which allure them still,
Love pictures my bright lady at his will,
That ever my desire may verdant rise.
Deep pity she with graceful grief applies--
Warm feelings ever gentle bosoms fill--
While captived equally my fond ears thrill
With her sweet accents and seraphic sighs.
Love and fair Truth were both allied to tell
The charms I saw were in the world alone,
That 'neath the stars their like was never known.
Nor ever words so dear and tender fell
On listening ear: nor tears so pure and bright
From such fine eyes e'er sparkled in the light.

MACGREGOR.

Francesco Petrarca

Francesco Petrarca, commonly known as Petrarch, was an Italian scholar, poet, and early humanist during the Renaissance. He is often called the "Father of Humanism" and is best known for his Italian poetry, notably the Canzoniere, a collection of poems addressed to his idealized beloved Laura. Petrarch's works have influenced countless writers and helped shape the modern Italian language.

Francesco Petrarca

To Laura In Death. Sonnet LXIX.

Francesco Petrarca, Simple Poetry

To Laura In Death. Sonnet XXI.

Francesco Petrarca, Simple Poetry

Sonnet CXXXIII.

Francesco Petrarca, Simple Poetry

Sonnet CCXVI.

Francesco Petrarca, Simple Poetry

English

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Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Sonnet LV.

I begli occhi, ond' i' fui percosso in guisa.

HE IS NEVER WEARY OF PRAISING THE EYES OF LAURA.


    The bright eyes which so struck my fenceless side
That they alone which harm'd can heal the smart
Beyond or power of herbs or magic art,
Or stone which oceans from our shores divide,
The chance of other love have so denied
That one sweet thought alone contents my heart,
From following which if ne'er my tongue depart,
Pity the guided though you blame the guide.
These are the bright eyes which, in every land
But most in its own shrine, my heart, adored,
Have spread the triumphs of my conquering lord;
These are the same bright eyes which ever stand
Burning within me, e'en as vestal fires,
In singing which my fancy never tires.

MACGREGO...

Francesco Petrarca

Sonnet XCIII.

Pien di quella ineffabile dolcezza.

WHEREVER HE IS, HE SEES ONLY LAURA.


    O'erflowing with the sweets ineffable,
Which from that lovely face my fond eyes drew,
What time they seal'd, for very rapture, grew.
On meaner beauty never more to dwell,
Whom most I love I left: my mind so well
Its part, to muse on her, is train'd to do,
None else it sees; what is not hers to view,
As of old wont, with loathing I repel.
In a low valley shut from all around,
Sole consolation of my heart-deep sighs,
Pensive and slow, with Love I walk alone:
Not ladies here, but rocks and founts are found,
And of that day blest images arise,
Which my thought shapes where'er I turn mine eyes.

MACGREGOR.

Francesco Petrarca

Sonnet LXXIII.

Quando giugne per gli occhi al cor profondo.

HE DESCRIBES THE STATE OF TWO LOVERS, AND RETURNS IN THOUGHT TO HIS OWN SUFFERINGS.


    When reaches through the eyes the conscious heart
Its imaged fate, all other thoughts depart;
The powers which from the soul their functions take
A dead weight on the frame its limbs then make.
From the first miracle a second springs,
At times the banish'd faculty that brings,
So fleeing from itself, to some new seat,
Which feeds revenge and makes e'en exile sweet.
Thus in both faces the pale tints were rife,
Because the strength which gave the glow of life
On neither side was where it wont to dwell--
I on that day these things remember'd well,
Of that fond couple when each varying mien
Told me in like estate ...

Francesco Petrarca

Sonnet CXL.

Mirando 'l sol de' begli occhi sereno.

THE SWEETS AND BITTERS OF LOVE.


    Marking of those bright eyes the sun serene
Where reigneth Love, who mine obscures and grieves,
My hopeless heart the weary spirit leaves
Once more to gain its paradise terrene;
Then, finding full of bitter-sweet the scene,
And in the world how vast the web it weaves.
A secret sigh for baffled love it heaves,
Whose spurs so sharp, whose curb so hard have been.
By these two contrary and mix'd extremes,
With frozen or with fiery wishes fraught,
To stand 'tween misery and bliss she seems:
Seldom in glad and oft in gloomy thought,
But mostly contrite for its bold emprize,
For of like seed like fruit must ever rise!

MACGREGOR.

Francesco Petrarca

Sonnet LXXXIV.

Non veggio ove scampar mi possa omai.

AFTER FIFTEEN YEARS HER EYES ARE MORE POWERFUL THAN AT FIRST.


    No hope of respite, of escape no way,
Her bright eyes wage such constant havoc here;
Alas! excess of tyranny, I fear,
My doting heart, which ne'er has truce, will slay:
Fain would I flee, but ah! their amorous ray,
Which day and night on memory rises clear,
Shines with such power, in this the fifteenth year,
They dazzle more than in love's early day.
So wide and far their images are spread
That wheresoe'er I turn I alway see
Her, or some sister-light on hers that fed.
Springs such a wood from one fair laurel tree,
That my old foe, with admirable skill,
Amid its boughs misleads me at his will.

MACGREGOR.

Francesco Petrarca

Sonnet CCXIX.

In quel bel viso, ch' i' sospiro e bramo.

ON LAURA PUTTING HER HAND BEFORE HER EYES WHILE HE WAS GAZING ON HER.


    On the fair face for which I long and sigh
Mine eyes were fasten'd with desire intense.
When, to my fond thoughts, Love, in best reply,
Her honour'd hand uplifting, shut me thence.
My heart there caught--as fish a fair hook by,
Or as a young bird on a limèd fence--
For good deeds follow from example high,
To truth directed not its busied sense.
But of its one desire my vision reft,
As dreamingly, soon oped itself a way,
Which closed, its bliss imperfect had been left:
My soul between those rival glories lay,
Fill'd with a heavenly and new delight,
Whose strange surpassing sweets engross'd it quite.

MACGREGOR.

Francesco Petrarca