Sonnet CLXVII.

Non pur quell' una bella ignuda mano.

HE RETURNS THE GLOVE, BEWAILING THE EFFECT OF HER BEAUTY.


    Not of one dear hand only I complain,
Which hides it, to my loss, again from view,
But its fair fellow and her soft arms too
Are prompt my meek and passive heart to pain.
Love spreads a thousand toils, nor one in vain,
Amid the many charms, bright, pure, and new,
That so her high and heavenly part endue,
No style can equal it, no mind attain.
That starry forehead and those tranquil eyes,
The fair angelic mouth, where pearl and rose
Contrast each other, whence rich music flows,
These fill the gazer with a fond surprise,
The fine head, the bright tresses which defied
The sun to match them in his noonday pride.

MACGREGOR.

Francesco Petrarca

Francesco Petrarca, commonly known as Petrarch, was an Italian scholar, poet, and early humanist during the Renaissance. He is often called the "Father of Humanism" and is best known for his Italian poetry, notably the Canzoniere, a collection of poems addressed to his idealized beloved Laura. Petrarch's works have influenced countless writers and helped shape the modern Italian language.

Francesco Petrarca

To Laura In Death. Canzone VI.

Francesco Petrarca, Simple Poetry

To Laura In Death. Sonnet XIII.

Francesco Petrarca, Simple Poetry

To Laura In Death. Sonnet LXIV.

Francesco Petrarca, Simple Poetry

Sonnet LII.

Francesco Petrarca, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Sonnet CLXV.

L' aura soave ch' al sol spiega e vibra.

HIS HEART LIES TANGLED IN HER HAIR.


    The pleasant gale, that to the sun unplaits
And spreads the gold Love's fingers weave, and braid
O'er her fine eyes, and all around her head,
Fetters my heart, the wishful sigh creates:
No nerve but thrills, no artery but beats,
Approaching my fair arbiter with dread,
Who in her doubtful scale hath ofttimes weigh'd
Whether or death or life on me awaits;
Beholding, too, those eyes their fires display,
And on those shoulders shine such wreaths of hair,
Whose witching tangles my poor heart ensnare.
But how this magic's wrought I cannot say;
For twofold radiance doth my reason blind,
And sweetness to excess palls and o'erpowers my mind.

NOTT.

...

Francesco Petrarca

Sonnet LXXXVIII.

La donna che 'l mio cor nel viso porta.

HER KIND AND GENTLE SALUTATION THRILLS HIS HEART WITH PLEASURE.


    She, in her face who doth my gone heart wear,
As lone I sate 'mid love-thoughts dear and true,
Appear'd before me: to show honour due,
I rose, with pallid brow and reverent air.
Soon as of such my state she was aware,
She turn'd on me with look so soft and new
As, in Jove's greatest fury, might subdue
His rage, and from his hand the thunders tear.
I started: on her further way she pass'd
Graceful, and speaking words I could not brook,
Nor of her lustrous eyes the loving look.
When on that dear salute my thoughts are cast,
So rich and varied do my pleasures flow,
No pain I feel, nor evil fear below.

MACGREGOR.

Francesco Petrarca

Sonnet XXXIV.

Ma poi che 'l dolce riso umile e piano.

HER RETURN GLADDENS THE EARTH AND CALMS THE SKY.


    But when her sweet smile, modest and benign,
No longer hides from us its beauties rare,
At the spent forge his stout and sinewy arms
Plieth that old Sicilian smith in vain,
For from the hands of Jove his bolts are taken
Temper'd in Ætna to extremest proof;
And his cold sister by degrees grows calm
And genial in Apollo's kindling beams.
Moves from the rosy west a summer breath,
Which safe and easy wafts the seaward bark,
And wakes the sweet flowers in each grassy mead.
Malignant stars on every side depart,
Dispersed before that bright enchanting face,
For which already many tears are shed.

MACGREGOR.

Francesco Petrarca

Sonnet CXXV.

Ove ch' i' posi gli occhi lassi o giri.

HER IMAGE IS EVER IN HIS HEART.


    Where'er I rest or turn my weary eyes,
To ease the longings which allure them still,
Love pictures my bright lady at his will,
That ever my desire may verdant rise.
Deep pity she with graceful grief applies--
Warm feelings ever gentle bosoms fill--
While captived equally my fond ears thrill
With her sweet accents and seraphic sighs.
Love and fair Truth were both allied to tell
The charms I saw were in the world alone,
That 'neath the stars their like was never known.
Nor ever words so dear and tender fell
On listening ear: nor tears so pure and bright
From such fine eyes e'er sparkled in the light.

MACGREGOR.

Francesco Petrarca

Sonnet CCXIX.

In quel bel viso, ch' i' sospiro e bramo.

ON LAURA PUTTING HER HAND BEFORE HER EYES WHILE HE WAS GAZING ON HER.


    On the fair face for which I long and sigh
Mine eyes were fasten'd with desire intense.
When, to my fond thoughts, Love, in best reply,
Her honour'd hand uplifting, shut me thence.
My heart there caught--as fish a fair hook by,
Or as a young bird on a limèd fence--
For good deeds follow from example high,
To truth directed not its busied sense.
But of its one desire my vision reft,
As dreamingly, soon oped itself a way,
Which closed, its bliss imperfect had been left:
My soul between those rival glories lay,
Fill'd with a heavenly and new delight,
Whose strange surpassing sweets engross'd it quite.

MACGREGOR.

Francesco Petrarca

Sonnet CXCIV.

I' piansi, or canto; che 'l celeste lume.

AT HER RETURN, HIS SORROWS VANISH.


    I wept, but now I sing; its heavenly light
That living sun conceals not from my view,
But virtuous love therein revealeth true
His holy purposes and precious might;
Whence, as his wont, such flood of sorrow springs
To shorten of my life the friendless course,
Nor bridge, nor ford, nor oar, nor sails have force
To forward mine escape, nor even wings.
But so profound and of so full a vein
My suff'ring is, so far its shore appears,
Scarcely to reach it can e'en thought contrive:
Nor palm, nor laurel pity prompts to gain,
But tranquil olive, and the dark sky clears,
And checks my grief and wills me to survive.

MACGREGOR.

Francesco Petrarca