Perturbation At Dawn

Day comes....

And when she sees the withering of the violet garden
And the saffron garden flowering,
The stars escaping on their black horse
And dawn on her white horse arriving,
She is afraid.

Against the sighing of her frightened breasts
She puts her hand;
I see what I have never seen,
Five perfect lines on a crystal leaf
Written with coral pens.

From the Arabic of Ebn Maatuk (seventeenth century).

Edward Powys Mathers

Edward Powys Mathers was an English translator and poet, best known for translating the French Orientalist J.C. Mardrus's translation of 'The Book of the Thousand Nights and One Night' in 1923. In addition to translations, Powys Mathers was an influential figure in the realm of cryptic crosswords, devising some of the most challenging puzzles for 'The Observer'. His translations have been lauded for their literary beauty and for introducing English-speaking audiences to classic Persian, Arabic, and Turkish poetry.

Edward Powys Mathers

The Little Woman Of Clear River

Edward Powys Mathers, Simple Poetry

Night And Morning

Edward Powys Mathers, Simple Poetry

A Proverb

Edward Powys Mathers, Simple Poetry

Incurable

Edward Powys Mathers, Simple Poetry

English

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Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Night And Morning

The great brightness of the burning of the stars,
Little frightened love,
Is like your eyes,
When in the heavy dusk
You question the dark blue shadows,
Fearing an evil.

Below the night
The one clear line of dawn;
As it were your head
Where there is one golden hair
Though your hair is very brown.

From the Arabic (School of Ebn-el-Moattaz) (ninth century).

Edward Powys Mathers

Dawn.

        I.

Mist on the mountain height
Silvery creeping;
Incarnate beads of light
Bloom-cradled sleeping,
Dripped from the brow of Night.


        II.

Shadows, and winds that rise
Over the mountain;
Stars in the spar that lies
Cold in the fountain,
Pale as the quickened skies.


        III.

Sheep in the wattled folds
Dreamily bleating,
Dim on the thistled wolds,
Where, glad with meeting,
Morn the thin Night enfolds.


        IV.

Sleep on the moaning sea
Hushing his trouble;
Rest on the cares that be
Hued in Life's bubble,
Calm on the woes of me....


        V.

Mist from the mountain height
Hurriedly fleeting;
Star in the locks of Nig...

Madison Julius Cawein

Tears

How can a heart play any more with life,
    After it has found a woman and known tears?

In vain I shut my windows against the moonlight;
    I have estranged sleep.

The flower of her face is growing in the shadow
    Among warm and rustling leaves....

I see the sunlight on her house,
    I see her curtains of vermilion silk....

Here is the almond-coloured dawn;
    And there is dew on the petals of my night flower.

Lyric of Korea.

Edward Powys Mathers

The Great Offence

She seemed so bored,
I wanted to embrace her by surprise;
But then the scalding waters
Fell from her eyes and burnt her roses.

I offered her a cup....

And came to paradise....

Ah, sorrow,
When she rose from the waves of wine
I thought she would have killed me
With the swords of her desolation....

Especially as I had tied her girdle
With the wrong bow.

From the Arabic of Abu Nuas (eighth century).

Edward Powys Mathers

Written On A Wall In Spring

It rained last night,
But fair weather has come back
This morning.

The green clusters of the palm-trees
Open and begin to throw shadows.

But sorrow drifts slowly down about me.

I come and go in my room,
Heart-heavy with memories.

The neighbour green casts shadows of green
On my blind;
The moss, soaked in dew,
Takes the least print
Like delicate velvet.

I see again a gauze tunic of oranged rose
With shadowy underclothes of grenade red.

How things still live again.

I go and sit by the day balustrade

And do nothing

Except count the plains
And the mountains
And the valleys
And the rivers
That separate from my Spring.

From the Chinese (early nineteenth century).

Edward Powys Mathers

The Sunken Garden

Speak not - whisper not;
Here bloweth thyme and bergamot;
Softly on the evening hour,
Secret herbs their spices shower.
Dark-spiked rosemary and myrrh,
Lean-stalked, purple lavender;
Hides within her bosom, too,
All her sorrows, bitter rue.
Breathe not - trespass not;
Of this green and darkling spot,
Latticed from the moon's beams,
Perchance a distant dreamer dreams;
Perchance upon its darkening air,
The unseen ghosts of children fare,
Faintly swinging, sway and sweep,
Like lovely sea-flowers in its deep;
While, unmoved, to watch and ward,
Amid its gloomed and daisied sward,
Stands with bowed and dewy head
That one little leaden Lad.

Walter De La Mare