Why Did I Sketch

Why did I sketch an upland green,
And put the figure in
Of one on the spot with me? -
For now that one has ceased to be seen
The picture waxes akin
To a wordless irony.

If you go drawing on down or cliff
Let no soft curves intrude
Of a woman's silhouette,
But show the escarpments stark and stiff
As in utter solitude;
So shall you half forget.

Let me sooner pass from sight of the sky
Than again on a thoughtless day
Limn, laugh, and sing, and rhyme
With a woman sitting near, whom I
Paint in for love, and who may
Be called hence in my time!

From an old note.

Thomas Hardy

Thomas Hardy (1840-1928) was an English novelist and poet. Born in Dorset, his works often featured the semi-fictional region of Wessex. Hardy was initially trained as an architect, but he later pursued writing full-time. His novels, including 'Tess of the d'Urbervilles,' 'Far from the Madding Crowd,' and 'Jude the Obscure,' are known for their critical portrayal of Victorian society and its mores. As a poet, he is recognized for his explorations of human suffering and the indifferent forces of nature. Hardy's legacy is profound, influencing both literature and criticism.

Thomas Hardy

Thoughts Of Phena - At News Of Her Death

Thomas Hardy, Simple Poetry

Satires Of Circumstances In Fifteen Glimpses - II In Church

Thomas Hardy, Simple Poetry

The King's Experiment

Thomas Hardy, Simple Poetry

A Woman's Trust

Thomas Hardy, Simple Poetry

English

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Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

The Figure In The Scene

It pleased her to step in front and sit
Where the cragged slope was green,
While I stood back that I might pencil it
With her amid the scene;
Till it gloomed and rained;
But I kept on, despite the drifting wet
That fell and stained
My draught, leaving for curious quizzings yet
The blots engrained.

And thus I drew her there alone,
Seated amid the gauze
Of moisture, hooded, only her outline shown,
With rainfall marked across.
- Soon passed our stay;
Yet her rainy form is the Genius still of the spot,
Immutable, yea,
Though the place now knows her no more, and has known her not
Ever since that day.

From an old note.

Thomas Hardy

In Front Of The Landscape

Plunging and labouring on in a tide of visions,
    Dolorous and dear,
Forward I pushed my way as amid waste waters
    Stretching around,
Through whose eddies there glimmered the customed landscape
    Yonder and near,

Blotted to feeble mist. And the coomb and the upland
    Foliage-crowned,
Ancient chalk-pit, milestone, rills in the grass-flat
    Stroked by the light,
Seemed but a ghost-like gauze, and no substantial
    Meadow or mound.

What were the infinite spectacles bulking foremost
    Under my sight,
Hindering me to discern my paced advancement
    Lengthening to miles;
What were the re-creations killing the daytime
    As by the night?

O they were speechful faces, gazing insistent,
    Some as with smiles,
Some ...

Thomas Hardy

An Old Likeness

Recalling R. T.


Who would have thought
That, not having missed her
Talks, tears, laughter
In absence, or sought
To recall for so long
Her gamut of song;
Or ever to waft her
Signal of aught
That she, fancy-fanned,
Would well understand,
I should have kissed her
Picture when scanned
Yawning years after!

Yet, seeing her poor
Dim-outlined form
Chancewise at night-time,
Some old allure
Came on me, warm,
Fresh, pleadful, pure,
As in that bright time
At a far season
Of love and unreason,
And took me by storm
Here in this blight-time!

And thus it arose
That, yawning years after
Our early flows
Of wit and laughter,
And framing of rhymes
At idle times,
At sight of her pain...

Thomas Hardy

A Man Was Drawing Near To Me

On that gray night of mournful drone,
A part from aught to hear, to see,
I dreamt not that from shires unknown
In gloom, alone,
By Halworthy,
A man was drawing near to me.

I'd no concern at anything,
No sense of coming pull-heart play;
Yet, under the silent outspreading
Of even's wing
Where Otterham lay,
A man was riding up my way.

I thought of nobody not of one,
But only of trifles legends, ghosts
Though, on the moorland dim and dun
That travellers shun
About these coasts,
The man had passed Tresparret Posts.

There was no light at all inland,
Only the seaward pharos-fire,
Nothing to let me understand
That hard at hand
By Hennett Byre
The man was getting nigh and nigher.

There was a rumble at the ...

Thomas Hardy

At A Seaside Town In 1869 - Young Lover's Reverie

I went and stood outside myself,
Spelled the dark sky
And ship-lights nigh,
And grumbling winds that passed thereby.

Then next inside myself I looked,
And there, above
All, shone my Love,
That nothing matched the image of.

Beyond myself again I ranged;
And saw the free
Life by the sea,
And folk indifferent to me.

O 'twas a charm to draw within
Thereafter, where
But she was; care
For one thing only, her hid there!

But so it chanced, without myself
I had to look,
And then I took
More heed of what I had long forsook:

The boats, the sands, the esplanade,
The laughing crowd;
Light-hearted, loud
Greetings from some not ill-endowed;

The evening sunlit cliffs, the talk,
Hailings and halts...

Thomas Hardy

The Going

Why did you give no hint that night
That quickly after the morrow's dawn,
And calmly, as if indifferent quite,
You would close your term here, up and be gone
    Where I could not follow
    With wing of swallow
To gain one glimpse of you ever anon!

    Never to bid good-bye,
    Or give me the softest call,
Or utter a wish for a word, while I
Saw morning harden upon the wall,
    Unmoved, unknowing
    That your great going
Had place that moment, and altered all.

Why do you make me leave the house
And think for a breath it is you I see
At the end of the alley of bending boughs
Where so often at dusk you used to be;
    Till in darkening dankness
    The yawning blankness
Of the perspective sickens me!

    You were sh...

Thomas Hardy