The Figure In The Scene

It pleased her to step in front and sit
Where the cragged slope was green,
While I stood back that I might pencil it
With her amid the scene;
Till it gloomed and rained;
But I kept on, despite the drifting wet
That fell and stained
My draught, leaving for curious quizzings yet
The blots engrained.

And thus I drew her there alone,
Seated amid the gauze
Of moisture, hooded, only her outline shown,
With rainfall marked across.
- Soon passed our stay;
Yet her rainy form is the Genius still of the spot,
Immutable, yea,
Though the place now knows her no more, and has known her not
Ever since that day.

From an old note.

Thomas Hardy

Thomas Hardy (1840-1928) was an English novelist and poet. Born in Dorset, his works often featured the semi-fictional region of Wessex. Hardy was initially trained as an architect, but he later pursued writing full-time. His novels, including 'Tess of the d'Urbervilles,' 'Far from the Madding Crowd,' and 'Jude the Obscure,' are known for their critical portrayal of Victorian society and its mores. As a poet, he is recognized for his explorations of human suffering and the indifferent forces of nature. Hardy's legacy is profound, influencing both literature and criticism.

Thomas Hardy

To My Father's Violin

Thomas Hardy, Simple Poetry

Nature's Questioning

Thomas Hardy, Simple Poetry

At The War Office, London

Thomas Hardy, Simple Poetry

The Marble Tablet

Thomas Hardy, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Why Did I Sketch

Why did I sketch an upland green,
And put the figure in
Of one on the spot with me? -
For now that one has ceased to be seen
The picture waxes akin
To a wordless irony.

If you go drawing on down or cliff
Let no soft curves intrude
Of a woman's silhouette,
But show the escarpments stark and stiff
As in utter solitude;
So shall you half forget.

Let me sooner pass from sight of the sky
Than again on a thoughtless day
Limn, laugh, and sing, and rhyme
With a woman sitting near, whom I
Paint in for love, and who may
Be called hence in my time!

From an old note.

Thomas Hardy

Rain On A Grave

Clouds spout upon her
    Their waters amain
    In ruthless disdain, -
Her who but lately
    Had shivered with pain
As at touch of dishonour
If there had lit on her
So coldly, so straightly
    Such arrows of rain.

She who to shelter
    Her delicate head
Would quicken and quicken
    Each tentative tread
If drops chanced to pelt her
    That summertime spills
    In dust-paven rills
When thunder-clouds thicken
    And birds close their bills.

Would that I lay there
    And she were housed here!
Or better, together
Were folded away there
Exposed to one weather
We both, who would stray there
When sunny the day there,
    Or evening was clear
    At the prime of the year.

Soon will be gro...

Thomas Hardy

At Castle Boterel

As I drive to the junction of lane and highway,
    And the drizzle bedrenches the waggonette,
I look behind at the fading byway,
    And see on its slope, now glistening wet,
    Distinctly yet

Myself and a girlish form benighted
    In dry March weather. We climb the road
Beside a chaise. We had just alighted
    To ease the sturdy pony's load
    When he sighed and slowed.

What we did as we climbed, and what we talked of
    Matters not much, nor to what it led, -
Something that life will not be balked of
    Without rude reason till hope is dead,
    And feeling fled.

It filled but a minute. But was there ever
    A time of such quality, since or before,
In that hill's story? To one mind never,
    Though it has been climbed, fo...

Thomas Hardy

In Front Of The Landscape

Plunging and labouring on in a tide of visions,
    Dolorous and dear,
Forward I pushed my way as amid waste waters
    Stretching around,
Through whose eddies there glimmered the customed landscape
    Yonder and near,

Blotted to feeble mist. And the coomb and the upland
    Foliage-crowned,
Ancient chalk-pit, milestone, rills in the grass-flat
    Stroked by the light,
Seemed but a ghost-like gauze, and no substantial
    Meadow or mound.

What were the infinite spectacles bulking foremost
    Under my sight,
Hindering me to discern my paced advancement
    Lengthening to miles;
What were the re-creations killing the daytime
    As by the night?

O they were speechful faces, gazing insistent,
    Some as with smiles,
Some ...

Thomas Hardy

An Old Likeness

Recalling R. T.


Who would have thought
That, not having missed her
Talks, tears, laughter
In absence, or sought
To recall for so long
Her gamut of song;
Or ever to waft her
Signal of aught
That she, fancy-fanned,
Would well understand,
I should have kissed her
Picture when scanned
Yawning years after!

Yet, seeing her poor
Dim-outlined form
Chancewise at night-time,
Some old allure
Came on me, warm,
Fresh, pleadful, pure,
As in that bright time
At a far season
Of love and unreason,
And took me by storm
Here in this blight-time!

And thus it arose
That, yawning years after
Our early flows
Of wit and laughter,
And framing of rhymes
At idle times,
At sight of her pain...

Thomas Hardy

Ditty

(E. L G.)



Beneath a knap where flown
Nestlings play,
Within walls of weathered stone,
Far away
From the files of formal houses,
By the bough the firstling browses,
Lives a Sweet: no merchants meet,
No man barters, no man sells
Where she dwells.

Upon that fabric fair
"Here is she!"
Seems written everywhere
Unto me.
But to friends and nodding neighbours,
Fellow-wights in lot and labours,
Who descry the times as I,
No such lucid legend tells
Where she dwells.

Should I lapse to what I was
Ere we met;
(Such can not be, but because
Some forget
Let me feign it) none would notice
That where she I know by rote is
Spread a strange and withering change,
Like a drying of the wells
Where s...

Thomas Hardy