Johnie Armstrong

The Text is taken from Wit Restor'd, 1658, where it is called A Northern Ballet. From the same collection comes the version of Little Musgrave and Lady Barnard given in First Series, p. 19. The version popularly known as Johnny Armstrong's Last Good-Night, so dear to Goldsmith, and sung by the Vicar of Wakefield, is a broadside found in most of the well-known collections.

The Story of the ballad has the authority of more than one chronicle, and is attributed to the year 1530. James V., in spite of the promise 'to doe no wrong' in his large and long letter, appears to have been incensed at the splendour of 'Jonnë's' retinue. It seems curious that the outlaw should have been a Westmoreland man; but the Cronicles of Scotland say that 'from the Scots border to Newcastle of England, there was not one, of whatsoever estate, but paid to this John Armstrong a tribute, to be free of his cumber, he was so doubtit in England.' Jonnë's offer in the stanza 16.3,4, may be compared to the similar feat of Sir Andrew Barton.

JOHNIE ARMSTRONG

1.
There dwelt a man in faire Westmerland,
Jonnë Armestrong men did him call,
He had nither lands nor rents coming in,
Yet he kept eight score men in his hall.

2.
He had horse and harness for them all,
Goodly steeds were all milke-white;
O the golden bands an about their necks,
And their weapons, they were all alike.

3.
Newes then was brought unto the king
That there was sicke a won as hee,
That livëd lyke a bold out-law,
And robbëd all the north country.

4.
The king he writt an a letter then,
A letter which was large and long;
He signëd it with his owne hand,
And he promised to doe him no wrong.

5.
When this letter came Jonnë untill,
His heart it was as blyth as birds on the tree:
'Never was I sent for before any king,
My father, my grandfather, nor none but mee.

6.
'And if wee goe the king before,
I would we went most orderly;
Every man of you shall have his scarlet cloak,
Laced with silver laces three.

7.
'Every won of you shall have his velvett coat,
Laced with sillver lace so white;
O the golden bands an about your necks,
Black hatts, white feathers, all alyke.'

8.
By the morrow morninge at ten of the clock,
Towards Edenburough gon was hee,
And with him all his eight score men;
Good lord, it was a goodly sight for to see!

9.
When Jonnë came befower the king,
He fell downe on his knee;
'O pardon, my soveraine leige,' he said,
'O pardon my eight score men and mee.'

10.
'Thou shalt have no pardon, thou traytor strong,
For thy eight score men nor thee;
For to-morrow morning by ten of the clock,
Both thou and them shall hang on the gallow-tree.'

11.
But Jonnë looked over his left shoulder,
Good Lord, what a grevious look looked hee!
Saying, 'Asking grace of a graceles face--
Why there is none for you nor me.'

12.
But Jonnë had a bright sword by his side,
And it was made of the mettle so free,
That had not the king stept his foot aside,
He had smitten his head from his faire boddë.

13.
Saying, 'Fight on, my merry men all,
And see that none of you be taine;
For rather than men shall say we were hange'd,
Let them report how we were slaine.'

14.
Then, God wott, faire Eddenburrough rose,
And so besett poore Jonnë rounde,
That fowerscore and tenn of Jonnë's best men
Lay gasping all upon the ground.

15.
Then like a mad man Jonnë laide about,
And like a mad man then fought hee,
Untill a falce Scot came Jonnë behinde,
And runn him through the faire boddee.

16.
Saying, 'Fight on, my merry men all,
And see that none of you be taine;
For I will stand by and bleed but awhile,
And then will I come and fight againe.'

17.
Newes then was brought to young Jonnë Armestrong
As he stood by his nurse's knee,
Who vowed if ere he live'd for to be a man,
O' the treacherous Scots reveng'd hee'd be.

Frank Sidgwick

Frank Sidgwick was an English writer, publisher, and scholarly editor. He was instrumental in popularizing ballad and folklore studies in the early 20th century. Sidgwick co-founded the publishing company Sidgwick & Jackson, which became known for its contributions to literature and scholarship. Though not primarily known as a poet, his editorial and publishing efforts significantly impacted the literary culture of his time, emphasizing the academic study of traditional songs and verses.

Frank Sidgwick

Willie O' Winsbury

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The Laird O' Logie

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The Great Silkie Of Sule Skerrie

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Lord Lovel

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English

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Johney Scot

The Text of this popular and excellent ballad is given from the Jamieson-Brown MS. It was copied, with wilful alterations, into Scott's Abbotsford MS. called Scottish Songs. Professor Child prints sixteen variants of the ballad, nearly all from manuscripts.

The Story of the duel with the Italian is given with more detail in other versions. In two ballads from Motherwell's MS., where 'the Italian' becomes 'the Tailliant' or 'the Talliant,' the champion jumps over Johney's head, and descends on the point of Johney's sword. This exploit is paralleled in a Breton ballad, where the Seigneur Les Aubrays of St. Brieux is ordered by the French king to combat his wild Moor, who leaps in the air and is received on the sword of his antagonist. Again, in Scottish tradition, James Macgill, having killed Sir Robert Balfour about 1679,...

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Johnny O' Cockley's Well

The Text is taken almost entirely from a copy which was sent in 1780 to Bishop Percy by a Miss Fisher of Carlisle; in the last half of the first stanza her version gives, unintelligibly:

    'But little knew he that his bloody hounds
        Were bound in iron bands':

and I have therefore substituted lines from a later text. The correction in 20.1 and 21.1 is also essential.


The Story will be familiar to many as Johnie of Breadislee, a title given by Sir Walter Scott to his version, the first that was published, in the Minstrelsy (1802). In the present version, however, Johnny certainly belongs to Cockley's Well, Bradyslee being only the name of his hunting-ground. In other variants, his name is Johnny Cock, Johnny Cox, Johnny o' Cockis, o' Cockerslee, of Cockielaw, of Cocklesmuir,...

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John O' The Side

    'He is weil kend, Johne of the Syde,
    A greater theif did never ryde.'

            Sir Richard Maitland.


The Text is from the Percy Folio, but is given in modernised spelling. It lacks the beginning, probably, and one line in st. 3, which can be easily guessed; but as a whole it is an infinitely fresher and better ballad than that inserted in the Minstrelsy of Sir Walter Scott.


The Story is akin to that of Kinmont Willie (p. 49). John of the Side (on the river Liddel, nearly opposite Mangerton) first appears about 1550 in a list of freebooters against whom complaints were laid before the Bishop of Carlisle. He was, it seems, another of the Armstrong family.

Hobby Noble has a ballad[1] to himself (as the hero of the present ballad deserves), in which mention ...

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Sir James The Rose

The Text is from Motherwell's Minstrelsy (1827). It is based on a stall-copy, presumably similar to one preserved by Sir Walter Scott at Abbotsford, combined with a version from recitation, which Child none the less calls 'well remembered from print.'


The Story has no historical foundation, as far as can be discovered; and for once we have a traditional tale inculcating a moral, though we do not understand why the 'nourice' betrays Sir James to his enemies.

Michael Bruce wrote a version of the story of this ballad, which seems to have become more popular than the ballad itself. It may be seen in A. B. Grosart's edition of his works (1865), p. 197.


SIR JAMES THE ROSE

    1.
    O heard ye of Sir James the Rose,
        The young heir of Buleighan?
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The Battle Of Harlaw

The Text of this ballad was sent to Professor Child by Mr. C. E. Dalrymple of Kinaldie, Aberdeenshire, from whose version the printed variants (Notes and Queries, Third Series, vii. 393, and Aytoun's Ballads of Scotland, i. 75) have been more or less directly derived.

The ballad is one of those mentioned in The Complaynt of Scotland (1549), like the 'Hunttis of Chevet' (see p. 2 of this volume). It is again mentioned as being in print in 1668; but the latter may possibly refer to a poem on the battle, afterwards printed in Allan Ramsay's Evergreen. The fact that the present ballad omits all reference to the Earl of Mar, and deals with the Forbes brothers, who are not otherwise known to have taken part in the battle, disposes Professor Child to believe that it is a comparatively recent ballad.

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Little Musgrave And Lady Barnard

The Text here given is the version printed, with very few variations, in Wit Restor'd, 1658, Wit and Drollery, 1682, Dryden's Miscellany, 1716, etc. The Percy Folio contains a fragmentary version, consisting of some dozen stanzas. Child says that all the Scottish versions are late, and probably derived, though taken down from oral tradition, from printed copies. As recompense, we have the Scotch Bonny Birdy.

The Story would seem to be purely English. That it was popular long before the earliest known text is proved by quotations from it in old plays: as from Fair Margaret and Sweet William. Merrythought in The Knight of the Burning Pestle (1611) sings from this ballad a version of stanza 14, and Beaumont and Fletcher also put quotations into the mouths of characters in Bonduca (c...

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